A History of Violence (film)
From Wikipedia, the free encyclopedia
| A History of Violence | |
|---|---|
Promotional poster for A History of Violence | |
| Directed by | David Cronenberg |
| Produced by | Chris Bender JC Spink |
| Written by | Comic Book: John Wagner Screenplay: Josh Olson |
| Starring | Viggo Mortensen Maria Bello Ed Harris William Hurt |
| Music by | Howard Shore |
| Distributed by | New Line Cinema |
| Release date(s) | September 23, 2005 |
| Running time | 96 min. |
| Language | English |
| Budget | $32,000,000 (est.) |
| All Movie Guide profile | |
| IMDb profile | |
A History of Violence is an Academy-Award nominated 2005 film, directed by David Cronenberg. It is based on the graphic novel of the same name by John Wagner. It stars Viggo Mortensen as the owner of a diner who is thrust into the spotlight after killing two robbers in self-defense. The film was put into limited release on September 23, 2005, in the United States and later, went into wide-release September 30, 2005.
Tagline:
- Tom Stall had the perfect life... until he became a hero.
Contents |
[edit] Plot
Tom Stall is a restaurant owner in the small town of Millbrook, who lives with his wife Edie, his son Jack and his daughter Sarah. He becomes a local hero after he defends himself from armed robbers, killing them in the process. When his story receives national attention, several members of the Philadelphia Irish Mafia arrive in town, led by the physically scarred Carl Fogarty. The manipulative Fogarty charges that Tom is someone named Joey Cusack, the man who damaged his face 20 years ago in Philadelphia. Tom denies the allegation, and claims he has never even been to Philadelphia. Fogarty is persistent though, and he threatens the whole family.
Jack, who has always avoided fighting when bullied at school, attacks his tormentors. He is then kidnapped by the mobsters who later exchange him for his father. Tom kills several gangsters in a scuffle, nearly getting killed himself. However, Jack intervenes, saving Tom's life by shooting Fogarty in the back with a shotgun. In the fight, Tom confirms that he is in fact the missing Joey Cusack. Upon hearing this his family becomes upset and angry that he lied to them for so many years. But when the sheriff starts to believe the mobsters' claim of Tom's criminal past, Edie defends Tom, saying that the sheriff should stop imagining things.
Richie Cusack, Tom's brother who is a Philadelphia crime boss, demands that "Joey" visit him. Tom fears that his brother plans to kill him, but knows that his family will remain at risk if he does not respond. He drives to Philadelphia to meet his brother at a secluded estate. Richie orders one of his men to kill his brother. This ends in a surprisingly fast sequence in which Tom quickly kills all of Richie's men, and Richie himself.
Tom then returns to his family, who are all sitting down to have dinner. He receives a silent welcome to a tense atmosphere. The film ends with the question of their reaction unanswered.
[edit] Adaptation
The film is only loosely based on the original graphic novel. Screenwriter Josh Olson intended from the very beginning to use the original story as a springboard to explore the themes that interested him, and Cronenberg admitted that he did not even know the screenplay was an adapted work until he had seen Olson through several drafts. The diner scene that sets the story in motion is nearly identical, and the basic cast of characters remains largely unchanged. But the particulars of the plot are very different, especially as the story progresses.
The protagonist's name is changed from Tom McKenna to Tom Stall; John Torrino becomes Carl Fogarty, Tom's son Buzz becomes Jack, his daughter Ellie becomes Sarah, and Sheriff Carney's first name goes from Frank to Sam. The town in which the story takes place is changed from River's Bend, Michigan to Millbrook, Indiana, and the origin of the mobsters is changed from Brooklyn to Philadelphia. According to the German press kit, David Cronenberg and screenwriter Josh Olson changed the Italian-sounding names because they did not want the audience to anticipate Tom's Mafia ties too early in the film. In the film's audio commentary, Cronenberg says that Joey and Richie were Italian in Olson's screenplay, which he changed because Viggo Mortensen and William Hurt would not make convincing Italians, and he wanted to to keep the film away from "the Sopranos Syndrome."
Much of the story of the graphic novel is a lengthy flashback detailing Tom's falling out with the mob. While the film is completely sequential and makes only a brief and vague allusion to the trouble Tom caused as mob member, the graphic novel details at length a heist perpetrated by Tom against the mob. Olson and Cronenberg opted to focus on Tom's struggles against his past and his relationship with his family, largely to the exclusion of the details of his falling out with his brother and the Mafia.
The most profound alterations of the original novel's plot concern the character of Richie and his fate. The two "versions" of this character are so different that the film version can barely be said to be based on the graphic novel. In the comic book, he and Tom are childhood friends; while in the film they are brothers (they weren't brothers in Olson's original screenplay; Cronenberg changed them to brothers to give their relationship more resonance). In the novel, Richie is captured by mobsters and mutilated after the incident that sends Tom on the lam: Richie's limbs are cut off and his eye taken out, yet he is still kept alive to be suspended from the ceiling in a harness and tortured for years. During the dramatic climax of the graphic novel Tom comes face to face with Richie, and Tom suffocates him in an act of mercy. In the film, Richie is Tom's brother, and a mob boss who tries to have Tom killed only to be shot in retaliation.
While in the comic, Tom's family is supportive and completely understanding, the film has his loved ones struggle with the startling truth about Tom. The lengthy subplot concerning his son Jack turning to violence after his father's example did not exist in the comic, nor does the emotionally charged fight (and subsequent rough sex on the stairs) between Tom and Edie. In the comic, Torrino is shot by Edie, but in the movie, Fogarty is killed by Jack. The comic concludes with Tom violently defeating the mobsters that haunted him, whereas the movie ends with Tom's silent return to his family; a change that drastically shifts the tone of the film.
[edit] Interpretation
The film's title plays on multiple levels of meaning. David Cronenberg suggests three possibilities: "(1) to a suspect with a long history of violence; (2) to the historical use of violence as a means of settling disputes, and (3) to the innate violence of Darwinian evolution, in which better-adapted organisms replace those less able to cope," with the last as the dominant focus of the movie.
The movie plays upon the themes of the harm and necessity of violence. Tom, the seemingly mild mannered diner owner, survived the initial attack because he killed the perpetrators. The very instincts that he walked away from saved his life. Is the violent instinct necessarily an evil? The movie clearly suggests that Tom has an instinctive, virtuosic ability to act with violence. Intimidation does not freeze him, and firepower does not intimidate him. He knows how to respond to violence with violence instinctively; clearly, this saves him multiple times.
Thematic similarities between the film and the works of Sam Peckinpah have been much commented on: in an interview, Cronenberg did not deny this but also emphasized that there were significant differences both in terms of plot and style.
[edit] Cast
| Actor | Role |
|---|---|
| Viggo Mortensen | Tom Stall / Joey Cusack |
| Maria Bello | Edie Stall |
| Ed Harris | Carl Fogerty |
| William Hurt | Richie Cusack |
| Ashton Holmes | Jack Stall |
| Heidi Hayes | Sarah Stall |
| Stephen McHattie | Leland Jones |
| Greg Bryk | Billy Orser |
| Peter MacNeill | Sheriff Sam Carney |
[edit] Awards and nominations
- Academy Awards
- Nominated - Best Writing, Screenplay Based on Material Previously Produced or Published (Josh Olson)
- Nominated - Best Supporting Actor (William Hurt) It should be noted that while his role was acclaimed, Hurt was only in the film for eight minutes.
- British Academy of Film and Television Arts
- Nominated - Adapted Screenplay (Josh Olson)
- Mystery Writers of America Edgar Awards
- Nominated - Best Motion Picture Screen Play (Josh Olson)
- USC Scripter Awards
- Nominated - John Wagner and Vince Locke, authors, and Josh Olson, screenwriter
- Cannes Film Festival
- Nominated - Golden Palm (David Cronenberg)
- Hollywood Legacy Awards
- Won - Writer of the Year (Josh Olson)
- Dallas-Fort Worth Film Critics
- Top Ten Films
- Golden Globes
- Nominated - Best Motion Picture (Drama)
- Nominated - Best Performance by an Actress in a Motion Picture (Drama) (Maria Bello)
- Gotham Awards
- Nominated - Best Film (David Cronenberg)
- Los Angeles Film Critics Association
- Runner-up - Best Picture
- Runner-up - Best Director (David Cronenberg)
- Won - Best Supporting Actor (William Hurt)
- National Society of Film Critics
- Won - Best Director (David Cronenberg)
- Won - Best Supporting Actor (Ed Harris)
- New York Film Critics Circle
- Won - Best Supporting Actor (William Hurt)
- Won - Best Supporting Actress (Maria Bello)
- Satellite Awards
- Nominated - Outstanding Motion Picture, Drama
- Nominated - Outstanding Actor in a Motion Picture, Drama (Viggo Mortensen)
- Nominated - Outstanding Actress in a Supporting Role, Drama (Maria Bello)
- Toronto Film Critics
- Won - Best Picture
- Won - Best Director (David Cronenberg)
- Danish Film Critics Association (Bodil Award)
- Won - Best American Picture
[edit] Movie details
- DVD:
[edit] Related links
[edit] Filming
Most of the movie was shot in Millbrook, Ontario, Canada) [1].
[edit] External links
- Official site
- A History of Violence at the Internet Movie Database
- A History of Violence at Rotten Tomatoes
- A History of Violence at Metacritic
- A History of Violence at Box Office Mojo
| Movies by David Cronenberg |
|---|
| Transfer • From the Drain • Stereo • Crimes of the Future • Shivers • Rabid • Fast Company • The Brood • Scanners • The Dead Zone • Videodrome • The Fly • Dead Ringers • Naked Lunch • M. Butterfly • Crash • eXistenZ • Spider • A History of Violence |
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