Alexander Woollcott
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Alexander Humphreys Woollcott (January 19, 1887 – January 23, 1943) was a critic and commentator for The New Yorker magazine, and a member of the Algonquin Round Table.
He was the inspiration for Sheridan Whiteside, the main character in the play The Man Who Came to Dinner by George S. Kaufman and Moss Hart, and for the far less likable character Waldo Lydecker in the classic film "Laura." He claimed to be the inspiration for Rex Stout's brilliant detective Nero Wolfe, but Stout discounted this.
Woollcott's review of the Marx Brothers' Broadway debut, I'll Say She Is, helped highlight the renaissance of the group's career and started a life-long friendship with Harpo Marx. One of Harpo's adopted sons is named Alexander after him.
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[edit] Biography
Nicknamed Aleck, Woollcott was born in Phalanx, New Jersey, near Red Bank, New Jersey and graduated from Hamilton College in Clinton, New York. In his early twenties he contracted the mumps, which left him, apparently, mostly, if not completely, impotent. He never married or had children, although he had a large number of female friends, most notable of whom were Dorothy Parker and Neysa McMein, to whom he actually proposed the day after she had just wed her new husband, Jack Baragwanath.
Woollcott was born in an 85-room house, a vast ramshackle building that had once been a commune. It was called The North American Phalanx, and was in Phalanx, New Jersey. There were many social experiments in the mid-1800s, some more successful than others. When The Phalanx fell apart after a fire there in 1854, it was taken over by the Bucklin family, Woollcott's maternal grandparents. There, amid his extended family, Woollcott spent large portions of his childhood. His father was a ne'er-do-well Cockney who drifted through various jobs, sometimes spending long periods away from his wife and children. Poverty was always close at hand.
The Bucklins and Woollcotts were avid readers, giving young Aleck a lifelong love of literature, especially the works of Charles Dickens.
Through a family friend, Dr. Alexander Humphreys (after whom he was named), Woollcott made his way through college, graduating from Hamilton College, in upstate New York, in 1909. There, despite a rather poor reputation (his nickname was "Putrid") he founded a drama group, edited the student literary magazine, and was accepted by a fraternity.
He was one of the most prolific drama critics at The New York Times, and was an owlish character whose caustic wit either joyously attracted or vehemently repelled the artistic communities of 1920's Manhattan, and he was actually banned for a time from reviewing certain Broadway theater shows. ["Harpo Speaks!" by Harpo Marx and Rowland Barber]
From 1929 to 1934 Woollcott wrote a column called Shouts and Murmurs for The New Yorker. He was, however, frequently criticized for his ornate, florid style of writing and, in contrast to his contemporaries James Thurber and S. J. Perelman, he is little read today, although his book, While Rome Burns, published by Grosset & Dunlap in 1934 was in 1954 named by critic Vincent Starrett as one of the 52 "Best Loved Books of the Twentieth Century".
Wolcott Gibbs, who often edited Woollcott's work at The New Yorker, was quoted in James Thurber's book The Years with Ross as saying: "'Shouts and Murmurs' was about the strangest copy I ever edited. You could take every other sentence out without changing the sense a particle. The whole department, in fact, often had no more substance than a Talk [of the Town] anecdote. I guess he was one of the most dreadful writers who ever existed."
After being kicked out of the apartment he shared with The New Yorker founders Harold Ross and his wife Jane Grant, Woollcott moved first into the Upper West Side's Hotel des Artistes then an apartment on the far end of East 52nd Street. The members of the Algonquin Round Table had a debate as to what to call his new home. Franklin P. Adams suggested that he name it after the Indian word "Ocowoica", meaning "The-Little-Apartment-On-The-East-River-That-It-Is-Difficult-To-Find-A-Taxicab-Near". But Dorothy Parker came up with the definitive name: Wit's End.
Woollcott yearned to be as creative as the people he surrounded himself with. Among many other endeavours, he tried his hand at acting and wrote two Broadway shows, while appearing in two others. He also starred as Sheridan Whiteside, for whom he was the inspiration, in the traveling production of "The Man Who Came To Dinner" in 1940. He also appeared in several cameos in films in the late 30's and 40's.
Politically, Woollcott called for normalization of U.S.-Soviet relations. He was a friend of reporter Walter Duranty and Soviet foreign minister Maxim Litvinov, and traveled to the USSR in the 1930s, as well as sending his friend Harpo Marx to Moscow on a comedy tour in 1934.
Towards the end of Woollcott's life he semi-retired to an island he had purchased on Lake Bomoseen in Vermont. He collapsed in New York City while leading a panel discussion of the war in Europe on the 1943 CBS radio program People's Platform; he died a few hours later, aged 56.
Woollcott is buried at Hamilton College in Clinton, New York.
[edit] Personality
He was one of the most-quoted men of his generation. Among Woollcott's classics is his description of the Los Angeles area as "Seven suburbs in search of a city" — a quip often attributed to his friend Dorothy Parker. He also once described The New Yorker editor Harold Ross: "He looks like a dishonest Abe Lincoln."
He was also known for his occasionally savage wit. He once said about another contemporary wit and piano player: "There is absolutely nothing wrong with Oscar Levant that a miracle can't fix." He also was known to greet friends with, "Hello, Repulsive." Famously, he published the shortest theatrical review in history by submitting to his editor simply: "Ouch."
Woollcott claimed the Brandy Alexander was a concoction named after him.
[edit] Broadway Shows
- Wine of Choice [Play, Comedy]
Starring: Alexander Woollcott as Binkie Niebuhr (February 21, 1938 - March 1938)
- The Gift of Gab [Play, Comedy] (1934)
Alexander Woollcott
- The Dark Tower [Play, Melodrama]
Written & Directed by Alexander Woollcott (November 25, 1933 - January 1934)
- Brief Moment [Play, Comedy]
Alexander Woollcott as Harold Sigrift (November 9, 1931 - February 1932)
- The Channel Road [Play, Comedy]
Written by Alexander Woollcott (October 17, 1929 - December 1929)
[edit] Film
- Babes on Broadway (1941) Woollcott has a cameo in this Mickey Rooney-Judy Garland musical.
- Mr. W's Little Game (1935) Woollcott's only short subject, in which he plays a word game with a waiter and a blonde woman.
- The Scoundrel (1935) This Oscar-winning film was made by Woollcott's friends Ben Hecht and Charles MacArthur, and starred longtime Woollcott friend Noel Coward. Woollcott appears in a supporting role.
[edit] Quotes
- All the things I really like to do are either immoral, illegal, or fattening.
- I'm tired of hearing it said that democracy doesn't work. Of course it doesn't work. We are supposed to work it.
- Many of us spend half of our time wishing for things we could have if we didn't spend half our time wishing.
- Germany was the cause of Hitler as much as Chicago is responsible for the Chicago Tribune.
- There is no such thing in anyone's life as an unimportant day.
- His huff arrived and he departed in it.
- A hick town is one where there is no place to go where you shouldn't go.
- The English have an extraordinary ability for flying into a great calm.
- At 83, George Bernard Shaw's mind was perhaps not quite as good as it used to be, but it was still better than anyone else's.
- I have no need of your God-damned sympathy. I only wish to be entertained by some of your grosser reminiscences.
- It comes from the likes of you! ... Take what you can get! Grab the chances as they come along! Act in hallways! Sing in doorways! Dance in cellars!
[edit] Books
- Mrs Fiske: Her views on Actors, Acting and the Problems of Production (1917) - Minnie Maddern Fiske (1865-1932) was one of the foremost actresses of her day. Woollcott's first book is a study of her thoughts on the acting profession.
- The Command is Forward (1919) - A collection of his reportage and essays from The Stars and Stripes.
- Shouts and Murmurs (1922) - Theatre articles. His column in The New Yorker was named after this book. The New Yorker revived the title as a catch-all for humorous pieces in the 1990s.
- Mr. Dickens Goes to the Play (1922) - A few chapters by Woollcott on Charles Dickens's love of the theatre, and a great many reprinted selections from Dickens's writings.
- Enchanted Aisles (1924) - More theatre articles.
- The Story of Irving Berlin (1925) - The rags-to-riches story of the great composer.
- Going to Pieces (1928) - More stories of Woollcotts's friends in and out of the theatre.
- Two Gentlemen and a Lady (1928) - A short book about dogs.
- While Rome Burns (1934) - It was Thornton Wilder who convinced Woollcott that his work was important enough to deserve reissue in book form. While Rome Burns was a surprise best-seller, and further cemented Woollcott's reputation nationally. It is light reading, but includes much that is amusing, or quaint, and one very fine piece, entitled 'Hands Across the Sea', about justice during the war.
- The Woollcott Reader (1935) - An anthology of works by other writers that Woollcott felt deserved the public's attention. The pieces run several gamuts, from treacly biography to acid modernism.
- Woollcott's Second Reader (1937) - More of the same.
- Long, Long Ago (1943) - Issued just after his death, this follows in the steps of While Rome Burns, but is not as good. The decline in his prose, as other interests drew on his time, is evident. Still, there are some amusing pieces and it is another best-seller.
- As You Were (1943) - An anthology of other people's works, compiled by Woollcott for issue to servicemen in the Second World War. It is dedicated to Frode Jensen, a young Danish man whom Woollcott befriended and who was the closest to a son as Woollcott ever had.
- The Letters of Alexander Woollcott (1944) - A collection of his voluminous correspondence compiled by two of his dearest friends, Beatrice Kaufman and Joe Hennessey.
- The Portable Woollcott (1946) - An anthology of the best of Woollcott's writings.
[edit] See also
[edit] Notes
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[edit] References
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