All the President's Men (film)

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All the President's Men
Image:12734GF4.jpg original movie poster
Directed by	Alan J. Pakula
Produced by	Walter Coblenz
Written by	William Goldman Based on book by Bob Woodward Carl Bernstein
Starring	Robert Redford Dustin Hoffman Jack Warden Jason Robards
Music by	David Shire
Cinematography	Gordon Willis
Editing by	Robert L. Wolfe
Distributed by	Warner Bros.
Release date(s)	4 April, 1976 (USA)
Running time	138 min.
Country	USA
Language	English
Budget	US$8,500,000
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This article is about the 1976 film. For the book, see All the President's Men.

All the President's Men is a 1976 film based on the 1974 non-fiction book by Bob Woodward and Carl Bernstein, the two journalists investigating the Watergate scandal for the Washington Post. The film adaptation starred Robert Redford and Dustin Hoffman as Woodward and Bernstein, respectively; it was produced by Walter Coblenz and directed by Alan J. Pakula.

1 Plot
2 Production
3 Awards
4 Cast
5 Trivia
6 See also
7 External links

[edit] Plot

The book was adapted for the screen by William Goldman. The story chronicles the Pulitzer Prize-winning investigative reporting of Woodward and Bernstein from the former's initial report on the Watergate break-in through the resignations of H. R. Haldeman and John Ehrlichman, and the revelation of the Nixon tapes by Alexander Butterfield in 1973. It relates the events behind the major stories the duo wrote for the Post, naming some sources who had previously refused to be identified for their initial articles, notably Hugh Sloan. It also gives detailed accounts of Woodward's secret meetings with his source Deep Throat whose identity was kept secret for over 30 years. Only in 2005 was Deep Throat revealed to be former FBI Associate Director W. Mark Felt.

[edit] Production

Some scenes in the film use dioptric lenses, which allow a "split screen" effect on a single take: each half of a shot can have its own focal length (that is, a man in the foreground can be in focus, yet on the other side of the frame, a man in the background can also be in focus--with objects between the two of them out of focus). Use of a dioptric lens requires a sharp dividing line to hide the effect; All the President's Men typically used pillars and desks for dividing lines.

The film also is an early film to make extensive use of different color temperatures in the same shot: for instance, at the beginning during the break-in, the light from inside is noticeably orange, whereas the light from outside is noticeably blue.

[edit] Awards

It won Academy Awards for Best Actor in a Supporting Role (Jason Robards), Best Art Direction-Set Decoration, Best Sound and Best Adapted Screenplay. It was nominated for Best Actress in a Supporting Role (Jane Alexander), Best Director, Best Film Editing and Best Picture.

According to Box Office Mojo.com, the film earned a "Domestic Total Gross" of $70,600,000.

[edit] Cast

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All the President's Men (film)

[edit] Trivia

Image:All the President Men.jpg

Redford has stated that they tried to film in the actual Washington Post newsroom, but it proved impossible because many Post employees were too aware of the camera, and some even tried to "act." Redford stated some employees would disappear into restrooms and apply make up. The production team recreated the facility at a Burbank, California studio for a reported $450,000. The Post did, however, cooperate with the production's quest for authenticity by shipping several crates of actual newsroom refuse that included: unopened mail, government directories, Washington telephone directories, wire service copy, calendars, and even stickers from Benjamin C. Bradlee's secretary's desk.
Redford uses only two fingers when he types. The real Woodward uses all fingers on both hands when he types.
It cost Warner Bros. $90,000 to shoot 30 seconds of screen time in the Library of Congress.
The telephone number that Robert Redford dials for The White House is the real number of the White House Switchboard: 456-1414.
Redford counted the lines in the shooting script and noticed that he had ten less than Hoffman, he asked for ten more lines to be added, but when shooting Hoffman kept improvising, and so Redford kept having to add lines to keep up with him.^{[citation needed]}
Before filming, actors Robert Redford and Dustin Hoffman spent time with Bob Woodward and Carl Bernstein to get to know their idiosyncrasies and to learn how to portray reporters accurately.