Amadis (Lully)
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Amadis or Amadis de Gaule (Amadis of Gaul) is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault based on Nicolas Herberay des Essarts' adaptation of Garci Rodríguez de Montalvo's Amadis de Gaula. It was premiered at the Paris Opéra January 18 1684. There was a later production at Versailles without machines in 1685.
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[edit] Performance history
Amadis was the first tragédie en musique to be based on chivalric rather than mythological themes; Lully's last three operas followed in this course. Louis XIV of France chose the theme. In the dance troupe the principal male dancers were Pierre Beauchamps, Louis Guillaume Pécour and Lestang, and the principal female dancers were La Fontaine, Carré and Pesan. There were eight revivals of the opera in Paris between 1687 and 1771. Between 1687 and 1729 it was produced in Amsterdam, The Hague, Marseilles, Rouen, Brussels, Lunéville, Lyon, and Dijon. The most famous aria from Amadis is "Bois épais".
[edit] Roles
- Character
- Alquif
- Urgande
- Amadis
- Oriane
- Florestan
- Corisande
- Arcabonne
- Arcalaus
- Ghost of Ardan Canile
- Description
- Sorcerer, husband of Urgande
- Sorceress, wife of Alquif
- Son of King Perion of Gaul
- Daughter of King Lisuart of Great Britain
- Illegitimate son of King Perion
- Ruler of Gravesande
- Sorceress, sister of Arcalaus and Ardan Canile
- Sorcerer knight, brother of Ardan Canile and Arcabonne
- Brother of Arcabonne and Arcalaus
- Voice part
- baritone
- soprano
- haute-contre
- soprano
- baritone
- soprano
- soprano
- baritone
- baritone
- Original cast
- ?
- ?
- Dumesnil
- Fanchon Moreau
- Jean Dun
- ?
- Marie Le Rochois
- ?
[edit] Reference
Lois Roscow. "Amadis", Grove Music Online, ed. L. Macy (accessed July 23 2006), grovemusic.com (subscription access).

