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Ambient house

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Ambient house is a musical category founded in the late 1980s that is used to describe ambient music elements combined with acid house. Tracks in the ambient house genre typically feature four-on-the-floor beats, synth pads, and vocal samples integrated in an atmospheric style.<ref name="amg-genre">"Ambient House", All Music Guide (Retrieved October 4, 2006).</ref> Ambient house tracks generally lack a diatonic center and feature much atonality along with synthesized chords.

  • "Loving You" (1989) (file info) — play in browser (beta)
    • Sample from The Orb's "Loving You" (which would later become "A Huge Ever Growing Brain...") featuring the vocals of Minnie Riperton.

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  • "Elvis on the Radio, Steel Guitar in my Soul" (file info) — play in browser (beta)

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  • Problems playing the files? See media help. </li> </ul> </div> </div> The ambient house movement began in the late 1980s largely due to the demand for post-rave "come-down" music. It was founded mainly by The Orb members Alex Paterson and Jimmy Cauty. They drew from many influences including Steve Reich, Brian Eno, reggae music, and 1970s psychedelic rock, including Pink Floyd. Inspired by the house music played by DJs such as Larry "Mr. Fingers" Heard, Paterson and Cauty began DJ-ing and composing experimental music. The Orb established the genre in 1989 as DJs at The Land of Oz, based at Heaven. After a recording session with John Peel later that year, The Orb released the twenty-minute "A Huge Ever Growing Pulsating Brain That Rules From the Centre of the Ultraworld", which featured "bright, translucent sounds" and "tinkl[ing]" keyboards, as well as heavily sampling Minnie Riperton's "Lovin' You".<ref name="century">Prendergast, Mark. The Ambient Century: From Mahler to Moby-The Evolution of Sound in the Electronic Age. London: Bloomsbury Publishing Plc, 2003.</ref> Out of Paterson and Cauty's sessions at Trancentral studio, came Cauty's KLF album Chill Out, which "featured no credit to Paterson".<ref name="century"/> As possibly the first ambient house album, The Grove Dictionary of Music describes it as "a 1980s pop culture version of musique concrète".<ref name="grove">Fulford-Jones, Will. "Ambient house", Grove Music Online, ed. L. Macy (accessed 4 October 2006), grovemusic.com (subscription access).</ref> After splitting from The Orb, Cauty finished work on his own album Space, and Paterson's Orb went on to create the single "Little Fluffy Clouds" – both important works of ambient house. In 1991, The Orb released the album The Orb's Adventures Beyond the Ultraworld, featuring both of their previous singles. Combining Moog synthesizers with religious chorales and audio clips of the Apollo 11 rocket launch, The Orb popularized the "spacy" sound of ambient house.<ref name="century"/>
    • "DaE" (file info) — play in browser (beta)
      • A clip of recent ambient house music.

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    • Problems playing the files? See media help. </li> </ul> </div> </div> While The KLF retired in 1992, The Orb released their most successful ambient house single "Blue Room", which peaked at #8 on the UK singles chart. At forty minutes, it was the longest single to reach the UK charts. An edited form of it appeared on The Orb album U.F.Orb later that year. U.F.Orb brought in dub influences as well into ambient house. In the years after the release of their live album, Live 93, The Orb largely abandoned the ambient house sound in favor of more "metallic" music.<ref name="century"/> Ambient house was taken up in large part by artists such as Juno Reactor, Pete Namlook, and Tetsu Inoue.

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