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An Evening With Fred Astaire

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An Evening With Fred Astaire was a one-hour television special starring Fred Astaire, broadcast on NBC on October 17, 1958. It was highly successful, winning nine Emmy awards and spawning three further specials, and technically innovative, as it was the first major television show to be prerecorded on color videotape. It was produced at NBC's Color City studios in Burbank, California.

Considered something of a comeback for the then 59-year-old Astaire, the special was his first starring role on television. It was directed and co-produced by Bud Yorkin and introduced Astaire's new partner Barrie Chase, whom he would later describe in Interview magazine in 1973 as perhaps his favorite dance partner.[1] The Jonah Jones Quartet and David Rose and his Orchestra provided the music, and the Hermes Pan Dancers appeared in the ensemble dance numbers. The announcer was Art Gilmore, who at the time was the voice of the Chrysler Corporation, the show's sponsor. Typical for advertising of the era, Chrysler's 1959 model year Forward Look cars featured prominently in the show; Astaire's final words were "I only hope the show is as good as the cars."

Contents

[edit] The use of videotape

The program was highly innovative in its use of color videotape, a technology then in its infancy.

The first major television program to be recorded on videotape had been The Edsel Show in 1957; however, this was a straight recording of a live performance with no editing. Early videotape use was confined largely to rebroadcasting programs from the east coast two hours later in the west, and was a cheaper, better-quality alternative to the film-based kinescopes. The experimental low-band quadruplex recording system in use was troublesome and hard to copy.

Furthermore, early video editing was a highly complicated matter that required the engineer to cover the two-inch tape with iron oxide solution to locate the magnetic tracks and then splice it with a razor blade. An Evening With Fred Astaire used a number of groundbreaking editing techniques that are now commonplace, such as overlays and dissolves. To simplify the process, the raw videotapes were first copied onto film kinescopes, and these were edited into a mockup of the final edit; then, the same edits were performed on the videotapes. [2]

Interestingly, the show was to earn a further technical Emmy in 1988 for Ed Reitan, Don Kent, and Dan Einstein, who restored the original videotape, transferring its contents to a modern format, and filling in gaps where the tape had deteriorated with kinescope footage. (The three had also restored the oldest color videotape known to exist, the dedication of WRC-TV's new studio in Washington, DC on May 21, 1958. [3])

The show was rebroadcast twice on NBC, on January 26, 1959, and December 20, 1964. It was thus the earliest show to be a rerun using color videotape. The later rebroadcast used a different beginning and ending that eliminated the advertising for Chrysler and removed edits from the introduction; instead the opening and closing dances were shown uninterrupted.

[edit] Musical numbers

  • "Morning Ride"/"Svengali" — Fred Astaire and the Hermes Pan dancers
  • "Change Partners" — Fred Astaire and Barrie Chase
  • "Prop Dance" — Fred Astaire
  • "Mack The Knife" — The Jonah Jones Quartet
  • "Man With The Blues" — Fred Astaire, Barrie Chase and the Hermes Pan dancers
  • "Old MacDonald On A Trip/Holiday For Strings" — The Hermes Pan dancers, featuring Jimmy Huntley, Roy Fitzell and Bert May
  • "St. James Infirmary" — Fred Astaire, Barrie Chase, Jonah Jones and the Hermes Pan dancers
  • "Oh, Lady Be Good!"/"Cheek To Cheek"/"A Fine Romance"/"They Can't Take That Away From Me"/"Nice Work If You Can Get It"/"A Foggy Day"/"I Won't Dance"/"Something's Gotta Give"/"Night and Day"/"Top Hat, White Tie And Tails" (the latter also the theme music for the show)[4] — Fred Astaire
  • "Isn't This A Lovely Day" — Fred Astaire

[edit] Sequels

Astaire produced another three similar specials:

[edit] See also

[edit] External links

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