Arctic Monkeys
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| Image:Arcticmonkeyslogo.png
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| Background information
<tr><td>Origin</td><td colspan="2">Image:Flag of England (bordered).svg Sheffield, England</td></tr><tr><td>Genre(s)</td><td colspan="2">Indie rock, Post-punk revival</td></tr><tr><td>Years active</td><td colspan="2">2002–present</td></tr><tr><td style="padding-right: 1em;">Label(s)</td><td colspan="2">Domino Records |
Arctic Monkeys are a four-piece indie rock/post-punk revival band from High Green, a suburb of Sheffield, England. Their first two singles, "I Bet You Look Good on the Dancefloor" and "When the Sun Goes Down", both went straight to number one in the UK Singles Chart.<ref>"Arctic Monkeys make chart history", BBC News Online, 2006-01-29. Retrieved on 2006-06-05.</ref> Originally established in 2002, the band currently consists of Alex Turner on lead vocals and guitar, Jamie Cook on rhythm guitar, Matt Helders on drums and backing vocals and Nick O'Malley on bass guitar, a position formerly held by Andy Nicholson.
Unlike many of their contemporaries, who were marketed and advertised extensively by record labels, Arctic Monkeys achieved their success through fan-made demo tapes and online file-sharing, with fans singing along at gigs of songs which had never been officially released,<ref name="BBC gig">Dyson, Matt (2005-08-30). Review: Arctic Monkeys (HTML). BBC. Retrieved on 2006-06-05.</ref> leading media commentators to discuss the possibility of a sea change in the way in which new bands are promoted and marketed.<ref name="The Question">Barton, Laura. "The question: Have the Arctic Monkeys changed the music business?", The Guardian, 2005-10-25. Retrieved on 2006-06-05.</ref> The band resisted signing to a major record label, even banning talent scouts from gigs. Eventually, the band signed to independent record label Domino Records, releasing their first album Whatever People Say I Am, That's What I'm Not, which charted at number one and broke the record for the largest first week sales of a debut album in UK history. The band subsequently won several major music prizes for the album, including the 2006 Mercury Prize,<ref name="Mercury">"Arctic Monkeys win Mercury Prize", BBC News, 2006-09-06.</ref> "Best New Act" at the 2006 Brit Awards and "Best New Band" and "Best British Band" at the NME Awards.<ref name="NME Award">"Arctic Monkeys make history at ShockWaves NME Awards", NME, 2006-02-23.</ref>
The overnight success of the band and the gritty, realistic nature of the lyrics of songs such as "When The Sun Goes Down" has led to the band being described as the "yardstick for all that is current and cool".<ref name="ArcticCircle">"Monkey business", BBC News, 2006-09-26.</ref> Despite such recognition, the band remains notoriously media shy; they declined to appear on either Top of the Pops or CD:UK after "I Bet You Look Good On The Dancefloor" reached number one, while journalists described their behaviour during a press conference following winning the Mercury Prize as "petulant" and "argumentative".<ref name="Stellar">"The Arctic Monkeys' stellar rise", BBC News, 2006-09-06.</ref>
Contents |
[edit] Musical style
[edit] Lyrics
Arctic Monkeys are generally considered part of the indie rock scene<ref name="BBC AM">"Monkeys let music do the talking", BBC News, 2006-02-24.</ref> alongside similar contemporary guitar bands such as The Libertines, The Futureheads and Franz Ferdinand.<ref name="Guardian review">Petridis, Alexis. "Whatever People Say I Am, That's What I'm Not Review", The Guardian, 2006-01-13.</ref><ref name="NME review">Jonze, Tim. "Whatever People Say I Am, That's What I'm Not Review", NME.</ref> The lyrics of Arctic Monkeys songs often feature social realism and observations of working class life, as typified by "When The Sun Goes Down", described as a "witty, poignant song about prostitution in the Neepsend district of Sheffield",<ref name="Guardian review"/> and "A Certain Romance", an attack on chav culture,<ref name="Guardian review"/> which have led to comparisons with other acts, especially British rapper The Streets<ref name="Guardian Mercury">Gibson, Owen. "A Mercury for the Monkeys", The Guardian, 2006-09-06.</ref> and older artists Morrissey and Jarvis Cocker,<ref name="Guardian review"/> both of which are known for their combination of observational lyrics and humour.<ref name="NME review"/>
The lead singer, Alex Turner, sings in a strong Yorkshire accent, typified by the contraction of "something" to "summat", the replacement of "everything" and "nothing" with "owt" (/aʊt/) and "nowt" (/naʊt/) and the use of Northern slang such as "mardy" for "grumpy, difficult, unpredictable".<ref name="NME guide">A Scummy Man and Mardy Bums: The ultimate Arctic Monkeys album guide (HTML). NME.</ref> Their songs also include frequent references to popular culture both common and obscure; Whatever People Say I Am, That's What I'm Not includes references to Romeo and Juliet, "Rio" by Duran Duran, and Frank Spencer, from Some Mothers Do 'Ave 'Em,<ref name="NME guide"/> leading one journalist to describe than the band as having a "camp retro-futurist fascination" for 1980s popular culture.<ref name="Guardian 80s"> Morley, Paul. "We love the 1980s", The Guardian, 2006-01-27.</ref>
[edit] Live appearances
At concerts, the band are better known for their sing-along nature and fan participation than for excessive lighting effects, pyrotechnics or other effects. Fans frequently join in, with the entire intro to "When The Sun Goes Down" typically sung by the crowd.<ref name="ReadingNME">"Arctic Monkeys review: Reading Festival", NME, 2 September 2006.</ref> However, their somewhat frugal shows have sometimes been criticised by reviewers. NME compared their performance at the 2006 Reading Festival unfavourably to that of Muse, who followed immediately after, using a multitude of fireworks and lighting effects, claiming that "in contrast to Muse's all-flashing, all-smoke-spewing, all-fire-raining slot, [Arctic Monkeys] simply stroll on without even the common courtesy of shoving up a backdrop", adding that band were too "self-conscious" and failed to be "the rock stars they've actually earned the right to be".<ref name="ReadingNME"/>
[edit] History
- See also: Arctic Monkeys members and Arctic Monkeys tour history
[edit] Emergence: 2002 — 2005
In 2001, neighbours Alex Turner and Jamie Cook asked for instruments as a Christmas present and both received electric guitars.<ref name="Hour">Siberok, Martin. "Brits go bananas", Hour.ca, 2006-03-16. Retrieved on 2006-06-09.</ref> After teaching themselves to play, the pair formed a band with Turner's school friends Andy Nicholson and Matt Helders in 2002. Nicholson already played bass, so Matt Helders ended up on drums — "that was all that were left...they all had guitars so I bought a drum kit after a bit."<ref name="Hour"/> Although reports suggested they named themselves after Helders' uncle's (or even father's) band, Helders later admitted that these reports were untrue, claiming "we made that up ‘cause we got so many people asking us that in the UK, so we just started making stories up",<ref name="Prefix1">Park, Dave (2005-11-21). Arctic Monkeys aren't fooling around (Part I) (HTML). Prefix Magazine. Retrieved on 2006-06-12.</ref> and that he just didn't have the heart to tell the original reporter he'd been lying.<ref name="Hour"/> Jamie Cook came up with the name at school before the band existed. According to Helders "He just always wanted to be in a band called Arctic Monkeys. Which is a cool name."<ref name="Prefix1"/>
They began rehearsing at Yellow Arch Studios in Neepsend,<ref>Aizlewood, John. "Monkeys are top of the tree", Evening Standard, 2006-01-27. Retrieved on 2006-01-27.</ref> and their first gig came on 13 June 2003 at The Grapes in Sheffield city-centre.<ref name="EMI">Artist Profile — Arctic Monkeys (HTML). EMI. Retrieved on 2006-06-07.</ref> After a few performances, they began to record demos and burn them onto CDs to give away at gigs. With a limited number of CDs available, fans began to rip the music back onto their computers and share it amongst themselves. The group did not mind, saying "we never made those demos to make money or anything. We were giving them away free anyway — that was a better way for people to hear them. And it made the gigs better, because people knew the words and came and sang along."<ref name="Prefix1"/> They themselves took no responsibility for their music, admitting that they did not even know how to get their songs onto the Internet.<ref name="Prefix1"/> When asked about the popularity of the band's MySpace site in an interview with Prefix Magazine, the band pointed out that they did not even know what MySpace was, and that the site had originally been created by their fans. "[When we went number one in England] we were on the news and radio about how MySpace has helped us. But that's just the perfect example of someone who doesn’t know what the fuck they’re talking about. We actually had no idea what it was."<ref name="Prefix1"/>
In late 2004, they began to grow in popularity across the north of England,<ref name="M&C">Brandle, Lars. "Fever rises for Arctic Monkeys", Monsters & Critics, 2006-01-30. Retrieved on 2006-06-08.</ref> receiving attention from BBC Radio 1 and the British tabloid press. Mark Bull, a local amateur photographer, filmed the band's performances and made the music video to "Fake Tales of San Francisco", releasing it on his web-site,<ref name="Prefix1"/> alongside the contents of Beneath the Boardwalk — a collection of the band's songs which he named after a local music venue.
In May 2005, Arctic Monkeys released their first EP, Five Minutes with Arctic Monkeys, featuring the songs "Fake Tales of San Francisco" and "From the Ritz to the Rubble". This release was limited to 1500 CDs and 2000 7" records, but was also available to download from the iTunes Music Store. Soon after, the band played at the Carling Stage of the Reading and Leeds Festivals, reserved for less known or unsigned bands. Their appearance was hyped by much of the music press and the band was received by an unusually large crowd for the billing they played. The critically acclaimed<ref>Dyson, Matt (2005-08-30). Review: Arctic Monkeys (HTML). BBC. Retrieved on 2006-06-05.</ref> performance included spontaneous singalongs of tracks that were only available as demos on the Internet.
[edit] Record deals: Mid 2005
The band resisted signing to a record label, refusing to change their songs to suit the industry — "Before the hysteria started, the labels would say, 'I like you, but I'm not sure about this bit, and that song could do with this changing...' We never listened."<ref name="EMI"/> Their cynicism with the industry was such that record company scouts were refused guaranteed guest list entry for their gigs, a move described by MTV Australia as "We've got this far without them — why should we let them in?".<ref>Arctic Monkeys (HTML). MTV Australia. Retrieved on 2006-06-05.</ref> The success of the strategy was illustrated with a series of sell-out gigs across the UK. October 2005 saw them sell out the historic London Astoria, and Turner saw this as proof that they were justified to ignore the record companies, saying "Once it all kicked off, we didn't care anymore. In London, the kids were watching the band, and the record company were at the back watching the kids watching the band."<ref name="EMI"/>
Eventually, they signed to Domino Records in June 2005. The band almost signed to an undisclosed "other label", but were attracted to the "DIY ethic" of Domino owner Laurence Bell, who ran the label from his flat and only signed bands that he liked personally.<ref>McKay, Alastair. "Record labels: The Domino effect", The Independent, 2006-02-03. Retrieved on 2006-06-05.</ref> The UK's Daily Star tabloid newspaper reported that this was followed in October 2005 by a £1m publishing deal with EMI and a £725,000 contract with Epic for the United States.<ref>Colothan, Scott. "Arctic Monkeys Sign £1million Publishing Deal", Gigwise, 2005-10-07. Retrieved on 2005-10-19.</ref> Arctic Monkeys denied this on their website, dubbing the newspaper "The Daily Stir". However, Domino have licensed the Australian and New Zealand publishing rights to EMI and the Japanese rights to independent label Hostess.<ref name="M&C"/>
[edit] Initial releases: October 2005 — January 2006
Their first single after signing to Domino Records, "I Bet You Look Good on the Dancefloor", was released on 17 October 2005 and went straight to #1 on the UK Singles Chart, selling 38,962 copies and beating McFly and Robbie Williams in the process. Three days later, they made their first appearance on the cover of NME. Their second single, "When the Sun Goes Down" (previously titled "Scummy"), was released on 16 January 2006 and also went straight to #1 on the UK Singles Chart, selling 38,922 copies and dethroning Shayne Ward. The band's success in reaching the #1 spot without marketing or advertising led some to suggest that it could signal a change in how new bands achieve recognition.<ref>Barton, Laura. "The question: Have the Arctic Monkeys changed the music business?", The Guardian, 2005-10-25. Retrieved on 2006-06-05.</ref>
They finished recording their debut album at Chapel Studios in Lincolnshire during September 2005. Its name was confirmed as Whatever People Say I Am, That's What I'm Not in early December, with release originally intended for 30 January 2006. Although early versions of many tracks were already freely available to download from the band's pre-label demo CDs, it was widely expected to be one of the biggest releases of 2006 with thousands of copies pre-ordered. On 5 January 2006, Domino announced the album's release would be brought forward one week to the 23 January claiming that this was "due to high demand". While the same thing was done with the release of Franz Ferdinand, there has been continued speculation that the move came as a result of the album's leak and the impact of file sharing — a controversial suggestion given the part file-sharing played in establishing the band's fanbase.<ref name="M&C"/>
Whatever People Say I Am, That's What I'm Not became the fastest selling debut album in UK chart history, selling 363,735 copies in the first week.<ref>Kumi, Alex. "Arctic Monkeys make chart history", The Guardian, 2006-01-30. Retrieved on 2006-06-05.</ref> This smashed the previous record of 306,631 copies held by Hear’Say with their debut Popstars, and sold more copies on its first day alone — 118,501 — than the rest of the Top 20 albums combined.<ref>"Arctic Monkeys eye debut record", BBC News Online, 2006-01-24. Retrieved on 2006-06-05.</ref>
The record was released a month later in the United States and sold 34,000 units in its first week, making it the second fastest selling for a debut indie album in America<ref>"High Schoolers And Kidz Take Over Billboard Chart", MTV, 2006-03-01. Retrieved on 2006-06-05.</ref> and debuting at #24 on the Billboard album chart. US critics were more reserved about the band than their UK counterparts, and appeared unwilling to be drawn into the possibility of "yet another example of the UK's press over-hyping new bands".<ref>"US reluctant to heed Monkeys hype", BBC News Online, 2006-03-17. Retrieved on 2006-06-01.</ref> However, the band's June 2006 tour of North America received critical acclaim at each stop<ref name="AZC">Moody, Annemarie. "Arctic Monkeys: Platinum Primates rule dancefloor", azcentral.com, 2006-06-05. Retrieved on 2006-06-08.</ref><ref name="FWST">Peterson, Ryan. "Arctic Monkeys fast and furious", Fort Worth Star-Telegram, 2006-06-08. Retrieved on 2006-06-08.</ref><ref>"Arctic Monkeys spark another British invasion", Houston Chronicle, 2006-06-08. Retrieved on 2006-06-08.</ref> — the hype surrounding them "proven to exist for good reason".<ref name="TXG">Parker, Kaitlin. "More Fun than a Barrel of Arctic Monkeys", Texas Gigs, 2006-06-08. Retrieved on 2006-06-08.</ref>
[edit] Nicholson departure; Mercury Prize: April — September 2006
In a similar fashion to bands such as Oasis and The Smiths, Arctic Monkeys wasted no time in recording new material, and released a 5-track EP on 24 April 2006, entitled Who the Fuck Are Arctic Monkeys, and was seen by critics as a swipe back at the snowballing hype surrounding the band. Due to its length, the EP was ineligible to chart as a UK single or album. Furthermore, the record's bad language has resulted in significantly less radio airplay than previous records, although this was not a reported concern — "since they made their name on the internet — and that got them a No.1 single and album — they don't care if they don't get radio play".<ref>Kilkelly, Daniel. "Arctic Monkeys plan foul-mouthed EP", Digital Spy, 2006-03-25. Retrieved on 2006-03-25.</ref>
However, soon after the release of the EP in the UK, the band announced that bassist Andy Nicholson would not take part in the band's forthcoming North America tour due to "fatigue following an intensive period of touring".<ref>"Arctic Monkeys lose a member", NME, 2006-05-26. Retrieved on 2006-06-05.</ref> Upon their return to the UK, it was confirmed on the band's official website that Nicholson had indeed left the band. The statement, "We are sad to tell everyone that Andy is no longer with the band", also confirmed that Nick O'Malley — former bassist with Arctic Monkeys' fellow Sheffield band, The Dodgems, who had drafted in as temporary bassist for the tour — would continue as bassist for the rest of their summer tour schedule.<ref>Alex Turner, Jamie Cook, Matt Helders. "Andy Nicholson", www.arcticmonkeys.com, 2006-06-19. Retrieved on 2006-07-13.</ref> Shortly after, Nick O'Malley was confirmed as a full-time member and bassist of the band.
Arctic Monkeys first release without Nicholson, the single "Leave Before the Lights Come On", came on 14 August 2006. Turner suggested that "it feels very much like it could be on the album", and that the song was one of the last songs he wrote before their rise to fame.<ref>"Arctic Monkeys play gig in tiny pub", NME, 2006-05-25. Retrieved on 2006-07-10.</ref> Although reaching #4 in the UK, the single became the band's first failure to reach #1 — leading to Turner referring to it as "the black sheep of the family" at the band's performance at the 2006 Reading Festival. The band were re-united at the Leeds Festival when Nicholson met up with his former band mates and his replacement bassist O'Malley;<ref>"Arctic Monkeys re-unite in Leeds", NME, 2006-08-27. Retrieved on 2006-10-01.</ref> however only the original band members, minus Nicholson, were present at the award ceremony when Whatever People Say I Am, That's What I'm Not won the 2006 Mercury Prize two weeks later.
- "I Bet You Look Good on the Dance Floor" (file info) — play in browser (beta)
- Sample from "I Bet You Look Good on the Dancefloor"
- Problems listening to the file? See media help.
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[edit] New album
The band have revealed that they are well on their way to recording their second full album, having already penned at least 10 tracks.<ref>"Arctic Monkeys talk new material", NME, 2006-03-29. Retrieved on 2006-06-05.</ref> They have been writing new material since May 2005, and have stated their reluctance to "live off old records" for a long period of time. Jamie Cook suggested that their new album was to be recorded in August 2006, adding "I couldn’t see us being like Coldplay... You tour your album for three years and play the same fucking gig night after night... Some people might enjoy doing that, but we couldn’t."<ref name="SD">Gottlieb, Jed. "Young Brains", San Diego CityBeat, 2006-05-31. Retrieved on 2006-05-31.</ref>
[edit] Criticism and controversy
The band have received criticism, based largely around the media circus that has surrounded their rise.<ref>Hanley, Lynsey. "Monkeymania", New Statesman, 2006-01-30. Retrieved on 2006-06-05.</ref> Critics described them as one in a long line of largely overhyped "NME bands", while the release of the EP Who the Fuck Are Arctic Monkeys just three months after their record-breaking debut album has been criticised by some, who have seen it as "money-grabbing" and "cashing in on their success".<ref>"Arctic Monkeys defend EP release", NME, 2006-04-18. Retrieved on 2006-06-05.</ref> However, the band countered that they regularly release new music not to make money, but to avoid the "boredom" of "spending three years touring on one album".<ref name="SD"/>The cover sleeve of Whatever People Say I Am, That's What I'm Not, showing Chris McClure, a friend of the band, smoking a cigarette, was criticised by the head of the NHS in Scotland for "reinforcing the idea that smoking is OK".<ref name="smoking">"Arctic Monkeys defend album cover", BBC News Online, 2006-02-03. Retrieved on 2006-06-05.</ref> The band's product manager denied the accusation, and in fact suggested the opposite — "You can see from the image smoking is not doing him the world of good".<ref name="smoking"/>
[edit] Television appearances
October 2005 saw the group's only UK television appearances, performing on Popworld (15 October), E4 Music and Later with Jools Holland (28 October). Since these appearances, however, the band became notorious for refusing to play on any further TV shows.<ref>"Arctic Monkeys refuse Brits appearance", Contactmusic, 2006-01-26. Retrieved on 2006-06-05.</ref> They have repeatedly turned down offers to play on the BBC's long running chart show, Top of the Pops, as well as ITV's CD:UK. The first footage of the band's gigs was broadcast on MTV2's Gonzo on Tour on 12 November 2005, featuring footage from a recent gig in Liverpool.
The band's refusal to attend the 2006 Brit Awards was originally seen as another snub to television, although a statement explained that it was in fact due to their prior commitments on the NME Awards tour. In their recorded acceptance speech for Best British Breakthrough Act, the band gained a "mystery fifth member" who did all the talking.<ref>Colothan, Scott. "Arctic Monkeys gain mystery fifth member", Gigwise, 2006-02-16. Retrieved on 2006-06-05.</ref> Known for being camera-shy, it turned out that the band had recruited We Are Scientists frontman Keith Murray, a friend of the band, to accept the award for them, to just "confuse the audience".
Despite their hostility to appearances on UK television, the band made their biggest TV appearance when they appeared on Saturday Night Live on 11 March 2006 to kick off their sold-out US tour. The performance included the songs "I Bet You Look Good on the Dancefloor" and "A Certain Romance", and saw the word "ASBO" printed on the bass drum. However, just before the guitar solo of "A Certain Romance", Turner castigated a yawning audience member,<ref>Harris, Bill. "Arctic Monkeys record new songs", Jam!, 2006-03-16. Retrieved on 2006-03-28.</ref> and Cook tossed his guitar at an amp at the end of the song.
[edit] In popular culture
The popularity of the Arctic Monkeys in the UK, especially among young people, has led to politicians and journalists referencing the band in speeches and texts; Chancellor of the Exchequer Gordon Brown stated in an interview with New Woman magazine that he listened to them every day, claiming "[they] really wake you up in the morning",<ref name="BrownClooney">"George Clooney as Gordon Brown?", BBC News, 2006-05-24.</ref> although in a later interview was unable to name any of their songs.<ref name="BrownAdm">"Brown's Arctic Monkey admission", BBC News, 2006-09-24.</ref> He went on to reference this in his speech at the 2006 Labour Party Conference about the risk of global warming, joking that he was "more interested in the future of the Arctic Circle than the future of the Arctic Monkeys".<ref name="ArcticCircle"/> Liberal Democrat leader Menzies Campbell also referred to the band at the 2006 Liberal Democrats Party Conference, mistakenly claiming that they had sold more records than The Beatles,<ref name="Ming">"Ming's Arctic Monkeys test", BBC News, 2006-09-18.</ref> a comment which led to much derision from the media.<ref name="ArcticCircle"/>
The Sun newspaper claimed that Liverpool footballer Peter Crouch's goal celebration, a variation on the robot dance, was based on "dancing to electropop like a robot from 1984", a lyric from "I Bet You Look Good On The Dancefloor", quoting an insider as saying "He's a massive Arctic Monkeys fan. Believe me, he can't sing — so the dance is the next best thing".<ref name="The Sun">Shaun Curtis, Duncan Larcombe. "Crouch dances with Wills", The Sun.</ref>
[edit] Discography
[edit] Albums
| Date of Release | Title | Label | Chart peaks |
|---|---|---|---|
| 23 January 2006 | Whatever People Say I Am, That's What I'm Not | Domino Records | #1 (UK, AUS, IRE); #9 (JPN); #24 (US) |
[edit] EPs
| Date of Release | Title | Label | Chart peaks |
|---|---|---|---|
| 30 May 2005 | Five Minutes with Arctic Monkeys | Bang Bang Records | |
| 24 April 2006 | Who the Fuck Are Arctic Monkeys | Domino Records | #36 (UK (download)) |
[edit] Singles
| Date of Release | Title | Album | Chart peaks |
|---|---|---|---|
| 17 October 2005 | "I Bet You Look Good on the Dancefloor" | Whatever People Say I Am, That's What I'm Not | #1 (UK);#12(IRE); #14 (NZ); #18 (AUS) |
| 16 January 2006 | "When the Sun Goes Down" | Whatever People Say I Am, That's What I'm Not | #1 (UK); #26 (AUS) |
| 14 August 2006 | "Leave Before the Lights Come On" | #4 (UK) | |
| TBA | "Fake Tales of San Francisco" | Whatever People Say I Am, That's What I'm Not | Unreleased |
[edit] Compilations
| Date of Release | Title | Label | Chart peaks |
|---|---|---|---|
| Beneath the Boardwalk |
[edit] Films
| Date of Release | Title | Distributor | Chart peaks |
|---|---|---|---|
| 10 April 2006 | Scummy Man | Domino Records |
[edit] Awards
[edit] Band
- 2005 Muso Awards — Best New Act — November 2005 <ref name="awards">The Arctic Monkeys Media.</ref>
- 2006 Brit Awards — Best British Breakthrough Act — February 2006<ref name="awards"/>
- 2006 NME Awards — Best New Band, Best British Band — February 2006<ref name="awards"/>
- 2006 ESKY Music Awards [from Esquire] — Most Promising Phenoms — April 2006<ref name="awards"/>
- 2006 Zlatna Koogla Awards [Croatia] — Best New International Act — April 2006<ref name="awards"/>
- Oye Awards [Mexico] — Best New International Artist — October 2006<ref name="awards"/>
- Q Awards — People's Choice — October 2006<ref>"Oasis named best at Q Awards", BBC News, 2006-10-30.</ref>
[edit] Records
- "I Bet You Look Good on the Dancefloor":
- 2006 NME Awards — Best Track — February 2006
- Whatever People Say I Am, That's What I'm Not:
- NME — 5th greatest British album — January 2006 <ref>"NME's best British album of all time revealed", 2006-01-26.</ref>
- 2006 Mercury Prize — Album of the Year — September 2006
- Q Awards — Best Album — October 2006
[edit] Footnotes
<references/>
[edit] References
- NME — Arctic Monkeys
- I Like Music — Arctic Monkeys Biography
- BBC Collective: videos, interviews and reviews
[edit] External links
Official sites:
Other links:
- List of unofficial fansites on Arctic Monkeys official forum
- Web directory of fansites and links
- Arctic Monkeys video clips
- Arctic Monkeys at MusicBrainz
- Arctic Monkeys at Last.fm
| Arctic Monkeys |
| Alex Turner • Jamie Cook • Matthew Helders • Nick O'Malley |
| Andy Nicholson • Glyn Jones |
| Discography |
|---|
| Albums & EPs: Five Minutes with Arctic Monkeys • Whatever People Say I Am, That's What I'm Not • Who the Fuck Are Arctic Monkeys |
| Compilations: Beneath the Boardwalk |
| Singles: "I Bet You Look Good on the Dancefloor" • "When the Sun Goes Down" • "Leave Before the Lights Come On" • "Fake Tales of San Francisco" |
| Related articles |
| Arctic Monkeys tour history • Scummy Man • Domino Records |
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