Barbican Arts Centre

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The Barbican Arts Centre is an arts venue in the centre of the Barbican Estate in the City of London, UK.

It opened in 1982, after a long and at times painful gestation which dated right back to the area having been badly bombed during World War II. It is owned, funded and managed by the City of London, the third largest funder of the arts in the UK. It was built as 'the City's gift to the nation' at an historical capital cost of £161 million, equivalent to almost £400 million today.

The Barbican Centre was also voted "London's ugliest building" according to a BBC poll in September 2003. [1]

Until recently it was the London home of the Royal Shakespeare Company. It also stages a wide range of performances by visiting theatre and dance companies.

The centre was designed with a complex multi-level layout, making circulation difficult. Efforts have been made since the mid-1990's to improve signage. In 2005-6 a further new signage scheme was introduced and a new internal bridge has been added linking the Silk Street foyer area with the lakeside foyer area. Also, a more generous pedestrian entrance from Silk Street, which had previously been dominated by an entrance for vehicles, was provided.

The Museum of London is close by.

[edit] Performance halls and facilities

Barbican Hall, a 2,026 seat concert hall. It is the home of the London Symphony Orchestra.
Barbican Theatre, a 1,166 seat theatre.
The Pit, a flexible 200-seat theatre venue.
Barbican Art Gallery and the smaller horseshoe shaped, Curve.
Barbican Cinema, 3 cinemas seating 288, 255 and 155 people.
Informal performance spaces.
3 Restaurants.
7 Conference and 2 Trade Exhibition facilities.

In addition: The Guildhall School of Music and Drama and the Barbican Library, both under separate management, are also part of the site.

Outside, its main focal point is the lake and its neighbouring terrace. The fly tower of the theatre has been surrounded by glass and made into a spectacular high-level conservatory. The Barbican Hall's acoustic is also controversial, being praised by some as attractively warm, whereas others find it too dry for large-scale orchestral repertoire.