Bolognese School (painting)
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The Bolognese School or the School of Bologna of painting flourished in Bologna, the capital of Emilia Romagna, between the 16th and 17th centuries in Italy, and rivalled Florence and Rome as the center of painting. Its most important representatives include the Carrracci family, including Ludovico and his two cousins, the brothers Agostino and Annibale. Later it included other prominent Baroque painters: Domenichino and Lanfranco, active mostly in Rome as would be Guercino and Guido Reni. Accademia degli Incamminati in Bologna run by Lodovico Caracci.
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[edit] List of artists
[edit] Period of Activity: 1501–1600
- Amico Aspertini (1474-1552)
- Girolamo da Treviso (Gerolamo de Pier-Maria Pennacchi) (1497-1544)
- Girolamo da Carpi
- Denys Calvaert
- Pietro Faccini (1552-1614)
- Prospero Fontana (1512-1597)
- Lavinia Fontana (1552-1614)
- Giovanni Francesco Bezzi (Nosadella) (1530-1571)
- Bartolomeo Passerotti (1529-1592)
- Bartolomeo Cesi (1556-1629)
- Annibale Carracci (1560-1609)
- Ludovico Carracci (1555-1619)
- Agostino Carracci (1557-1602)
- Carlo Bononi (1569- c.1632)
- Sisto Badalocchio (1581-c.1647)
- Camillo Cesare Procaccini
[edit] 1601–1650
- Angelo Michele Toni
- Benedetto Gennari,
- Guido Reni (1575-1642)
- Domenichino (1581-1641)
- Francesco Albani (1578-1660)
- Giovanni Francesco Barbieri (Guercino) (1591-1666)
- Lionella Spada
- Lucio Massari
- Francesco Brizio
- Giacomo Cavedone
- Bartolomeo Schedoni
- Francesco Gessi
- Simone Cantarini (Il Pesarese) (1612-1648)
- Carlo Cignani (1628-1719)
- Giovanni Antonio Burrini
- Giuseppe Dal Sole
- Lorenzo Pasinelli
- Elisabetta Sirani
- Marcantonio Franceschini
- Guido Cagnacci(1601-1663)
- Giuseppe Mazza
- Garbieri
- Marescalchi
- Domenico Maria Canuti
- Colonna
- Mitelli
- Enrico Haffner
- Giovannni Maria Bibiena
- Giovan Giacomo Monti
- Menganzino
- Giovanni Batista Viola
- Alessandro Tiarini
- Giovanni Andrea Donducci (Mastelletta)
[edit] 1650–1700
- Giuseppe Maria Crespi (1665-1747)
Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). National Gallery of Art, Washington DC: The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries.
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