Contra-alto clarinet
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The contra-alto clarinet is a large, low-sounding musical instrument of the clarinet family. The modern contra-alto clarinet is pitched in the key of E♭ and is sometimes called the E♭ contrabass clarinet. The unhyphenated form "contra alto clarinet" is also sometimes used, as is "contralto clarinet", but the latter is confusing since the instrument's range is much lower than the contralto vocal range; the more correct term "contra-alto" is meant to convey, by analogy with "contrabass", that the instrument plays an octave lower than the alto clarinet. It is the second-largest member of the clarinet family in significant use, larger than the bass clarinet but not as big as the B♭ contrabass clarinet.
Like other clarinets, the contra-alto clarinet is a wind instrument that uses a reed to produce sound. The keys of the contra-alto are similar to the keys on smaller clarinets, and are played in the same way. Some contra-alto clarinet models have a range extending down to low (written) E♭, sounding as the lowest G♭ on the piano, while others can play down to low C.
The earliest contra-alto clarinets were developed in the first half of the nineteenth century; these were usually pitched in F and were called contrabasset horns, being an octave lower than the basset horn. These instruments were not commercially successful, and it was not until the late 19th and early 20th century that contra-alto clarinets, now in E♭, attained some degree of popularity. The contra-alto clarinet is a popular instrument in Broadway pit orchestra, with their parts being written in Reed Books as doubler instruments with soprano clarinets and bass clarinets.
The contra-alto clarinet is used mostly in concert bands and clarinet choirs, where it usually (though not always) plays the bass line of a piece of music. While there are few parts written specifically for it, the contra-alto can play the baritone saxophone part and sounds the same pitch; it is also possible to read parts written in the bass clef for instruments pitched in C as if the part was in the treble clef, while adjusting the key signature from C to E♭ and any accidentals as necessary. It is occasionally used in jazz, and a few solo pieces have been written for it.
[edit] References
- Contrabass.com
- F. Geoffrey Rendall. The Clarinet. Second Revised Edition. London: Ernest Benn Limited, 1957.
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