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Fach

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The German Fach (pl. Fächer) (IPA pronunciations: [fɑ:x], ['fɛ.çəɐ]) system is a method of classifying singers, primarily opera singers, by the range, weight, and color of their voices. It is primarily used in Europe, especially in German-speaking countries and in repertory opera houses.

The Fach system is a convenience for singers and opera houses. A singer who is identified as being of a certain Fach will usually be asked to sing only roles that belong to that Fach. This prevents a singer from being asked to sing roles which he or she is incapable of performing. Opera houses keep lists of available singers by Fach so that when they are casting roles for an upcoming production, they do not inadvertently contact performers who would be inappropriate for the part.

Below is a list of Fächer, their ranges as written on sheet music, and their common roles. When two names for the Fach are given, the first is in more common use today. Where possible, an English equivalent of each Fach is listed, however not all Fächer have ready English equivalents. Note that some roles can be sung by more than one Fach.

Contents

[edit] Coloratura Fächer

[edit] Koloratursopran / Koloratursoubrette

[edit] Dramatischer Koloratursopran

[edit] Soprano Fächer

[edit] Deutsche Soubrette

[edit] Lyrischer Sopran

  • English equivalent: Lyric soprano
  • Range: From middle C to the C two octaves above middle C
  • Description: a more supple-sounding soprano, capable of legato, portamento, and some agility; generally has a more soulful and sensuous quality than a soubrette who tend to be largely flirtatious and somewhat tweety.
  • Roles:

[edit] Jugendlich Dramatischer Sopran

  • English equivalent: Light dramatic soprano
  • Range: From middle C to the C two octaves above middle C
  • Description: The Italian version of this fach is the spinto, which literally means pushed. Thus, a light dramatic soprano must generally push her basically lyric instrument to create big sounds that can cut through an orchestral and/or choral climax. Depending on the singer, however, this voice type can be more versatile, as it lies at neither extreme of the soprano spectrum. Spintos are occasionally able to take on lighter mezzo roles, or conversely, lyric and even coloratura roles. Spinto sopranos are known to be especially well suited to art song and operas in English.
  • Roles:
  • Singers:

[edit] Charaktersopran

  • English equivalent: Soubrette
  • Range: From the B below middle C to the C two octaves above middle C
  • Description: Another name for a Soubrette.
  • Roles:

[edit] Dramatischer Sopran

[edit] Hochdramatischer Sopran

  • English equivalent: Wagnerian soprano
  • Range: From the F below middle C to the C two octaves above middle C
  • Description: A voice equal to the demands of the operas of Wagner's maturity, substantial, very powerful and even throughout the registers. Successful hochdramatischer are rare, only one or two appear in a generation. Arguably there are none singing today.

[edit] Mezzo-soprano Fächer

[edit] Lyrischer Mezzosopran / Spielalt

[edit] Koloratur-Mezzosopran

  • English equivalent: Coloratura mezzo-soprano
  • Range: From the G below middle C to the B two octaves above middle C
  • Description: a lyric soprano's instrument in a lower range; the resulting sound is less piercing, more lachrymose and kind of sensitive
  • Roles: Rosina in Il barbiere di Siviglia

Angelina in La Cenerentola

[edit] Dramatischer Mezzosopran

  • English equivalent: Dramatic mezzo-soprano
  • Range: From the G below middle C to the B two octaves above middle C
  • Description: The dramatic mezzo possesses an almost freakishly large instrument capable of creating penetrating yet full-bodied projection. Dramatic mezzos must perform alongside dramatic sopranos, and so their voices must be able to carry effectively despite singing in a lower tessitura. They are well-suited to composers who use densely textured orchestration like Beethoven, Wagner, and Strauss. The dramatic mezzo, however stunning in the opera house, is often felt to be too overwhelming for lied and other art songs.
  • Roles:
  • Singers

[edit] Dramatischer Alt

  • English equivalent: Contralto
  • Range: From the G below middle C to the B above middle C
  • Description:
  • Roles: Erda in Der Ring des Nibelungen

[edit] Tiefer Alt

  • English equivalent: Contralto
  • Range: From the F below middle C to the A above middle C
  • Description: A deep, penetrating low female voice. This is a very rare voice type with a darker, richer sound than that of a typical alto.
  • Roles: Die Kranke in Moses und Aron; Ulrica in Un ballo en maschera (Giuseppe Verdi)
  • Singers:

[edit] Tenor Fächer

[edit] Spieltenor / Tenor Buffo

  • English equivalent: (Lyric) comic tenor. It is quite possible for a young Spieltenor to eventually work into the lighter Lyrischertenor category, the deciding factor will be the beauty of voice and his looks.
  • Range: From low C to the B an octave above middle C (C to b')
  • Description:
  • Roles: Pedrillo (Die Entführung aus dem Serail)

[edit] Charaktertenor

  • English equivalent: Character tenor. Must have good acting abilities.
  • Range: From the B below low C to the C an octave above middle C (C to c')
  • Description:
  • Roles: Mime (Siegfried)
  • Singers:

[edit] Lyrischer Tenor

[edit] Jugendlicher Heldentenor [citation needed]

[edit] Heldentenor

[edit] Baritone Fächer

[edit] Lyrischer Bariton / Spielbariton

[edit] Kavalierbariton

[edit] Charakterbariton

  • English equivalent: Verdi Baritone.
  • Range: From the A below low C to the G# above middle C (A to g#')
  • Description:
  • Roles:
  • Singers:

[edit] Hoherbass

[edit] Heldenbariton

  • English equivalent: None.
  • Range: From the G below low C to the F# above middle C (G to f#')
  • Description: Means ‘heroic baritone’. In the German opera houses a true Heldenbariton is a prize possession: a singer with exciting power at command and a brightly resonant quality.
  • Roles:
  • Examples:

[edit] Bass Fächer

[edit] Bassbariton

[edit] Spielbass / Bassbuffo

  • English equivalent: Lyric comic bass
  • Range: From the E half an octave below low C to the F above middle C (E to f')
  • Description: A comedic role within certain Opera's performed by a lyrical voice.
  • Roles:
  • Singers:


[edit] Schwerer Spielbass

  • English equivalent: Dramatic comic bass
  • Range: From the C one octave below low C to the F above middle C (C to f')
  • Description:
  • Roles: Baculus, Der Wildschütz (Albert Lortzing)

[edit] Seriöser Bass

[edit] References

[edit] Additional clarifications

<references/>de:Stimmfach

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