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Feminist film theory is theoretical work within film criticism which is derived from feminist politics and feminist theory. Feminists have taken many different approaches to the analysis of cinema. These include discussions of the function of women characters in particular film narratives or in particular genres, such as film noir, where a woman character can often be seen to embody a subversive sexuality that is dangerous to men and is ultimately punished with death.

In considering the way that films are put together, many feminist film critics have pointed to the "male gaze" that predominates in classical Hollywood filmmaking. Laura Mulvey's essay "Visual Pleasure and Narrative Cinema" gave one of the most widely influential versions of this argument. This argument holds that through the use of various film techniques, such as the point of view shot, a typical film's viewer becomes aligned with the point of view of its male protagonist. Notably, women function as objects of this gaze far more often than as proxies for the spectator.

Contents 1 Further reading 2 See also 3 External links 4 References

[edit] Further reading

• Sue Thornham (ed.), Feminist Film Theory. A Reader, Edinburgh University Press 1999
• Multiple Voices in Feminist Film Criticism, edited by Diane Carson, Janice R. Welsch, Linda Dittmar, University of Minnesota Press 1994

[edit] See also

• Dai Jinhua
• Claire Johnston
• Teresa de Lauretis
• Kaja Silverman
• Women's cinema
• Damsel in distress
• Femme fatale
• Final Girl
• Hooker with a heart of gold
• Ingenue
• Scream queen
• Warrior princess
• Feminist imperative

[edit] External links

• Entry on feminist film theory for the Encyclopedia of aesthetics
• the Hathor Legacy: what film and tv are really saying about women
• The Guerrilla Girls' "Anatomically-Correct Oscar"

[edit] References

• Laura Mulvey (1975). "Visual Pleasure and Narrative Cinema". Screen 16 (3): 6-18.
• Laura Mulvey (1989). Visual and Other Pleasures. Bloomington: Indiana University Press. ISBN 0-253-20494-1.