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Isao Takahata

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Isao Takahata (2002)
<tr valign="top"><th style="text-align:right;">Occupation</th> <td>Film director</td></tr>
Isao Takahata
Born 29 October, 1935
Ise, Mie prefecture, Japan

Isao Takahata (高畑 勲 Takahata Isao) (born October 29, 1935) is one of the most famous directors of anime, or Japanese animated films.

Born in Ujiyamada (now Ise), Mie prefecture, Japan, he is a long-term colleague of Hayao Miyazaki and co-head at Studio Ghibli. His four animated films at Studio Ghibli have spanned a remarkable range of genres: war-film (Grave of the Fireflies), romantic drama (Only Yesterday), comedy (My Neighbors the Yamadas), and ecological adventure (Pom-Poko). Of these Grave of the Fireflies, in particular, is widely considered one of the greatest animated films ever made.

Graduating from the University of Tokyo in 1959, Takahata joined the newly-created Tōei Dōga animation company (Toei Animation) where a short time later he met Miyazaki, and also directed his first feature film Hols: Prince of the Sun. Ostracized within the company after the financial failure of the film (despite its artistic success), he and Miyazaki left in order to work together, and collaborated on many other films. Unlike most anime directors, Takahata doesn't draw and never worked as an animator before becoming a full fledged director.

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[edit] Influences and style

Takahata has been influenced by Italian neorealism, Jacques Prévert, and French New Wave films during the 1960s. The Bicycle Thief has been cited as specifically influencing 3000 Leagues in Search of Mother. These influences make Takahata's work different from most animation, which focus on fantasy. His films, by contrast, are realistic with expressionistic overtones.

Neo-realism's influence on his film is evident in the amount of attention to detail he takes in displaying everyday mundane events. Entire episodes of his early TV shows were devoted to looking at events such as going to church every week, having a job cleaning out bottles, or detailing the work farmers do out in fields. All of these events are shown in meticulous detail and often form a major part of his work. With the exception of Horus: Prince of the Sun (a Disney-esque musical with darker and more political overtones), Pom Poko (an environmentalist film about magical tanuki trying to save their land), and Gauche the Cellist (a film about a struggling cellist who is helped by talking forest animals), the majority of his works are dramas set in mostly realistic environments.

One of Takahatas' most praised films is Omohide Poro Poro (literally, 'Memories Like Falling Raindrops'). The film was released in 1991 in Japan to critical acclaim, and was re-titled as Only Yesterday for release to English-speaking audiences. A film aimed squarely at an adult audience, Omohide Poro Poro revolves around Taeko, a single woman working a desk job in Tokyo, who takes her annual vacation in the countryside with the family of her sister in-law to work as a farmhand. During her holiday, Taeko finds herself looking back nostalgically at her youth as a schoolgirl growing up in 1966, while simultaneously attempting to resolve her current issues with love and career.

The expressionistic influences in Takahata's work are usually marked by scenes where a character's imagination comes to life on screen. For instance, in Omohide Poro Poro, after Taeko encounters her first love she, defying gravity, runs up into and floats through the red-colored sky. The scene ends with her slowly gliding into bed and then cuts to an outside shot of her house where a giant heart emerges from her window. These expressionistic sequences run counter to Takahata's realistic storyline and animation, but are consciously used by the director to transition back and forth from realism to the unreal world of animated fantasy, thereby further enhancing the character. These scenes can be found to some degree in all of Takahata's work, beginning with the "forest of delusion" sequence in Horus: Prince of the Sun.

Takahata's films have had a major influence on Hayao Miyazaki, prompting animator Yasuo Ōtsuka to say that Miyazaki gets his sense of social responsiblity from Takahata and that without Takahata, Miyazaki would probably just be interested in comic book stuff1.

[edit] Works

[edit] Assistant Director

  • The Littlest Warrior (Anju to Zushiōmaru), 1961
  • Iron Story (Tetsu Monogatari), 1962
  • The Little Prince and the Eight-Headed Dragon (Wanpaku Ōji no Orochi Taiji), 1962
  • The Biggest Duel in the Underworld (Ankokugai Saidai no Kettō), 1963
  • Hustle Punch (TV), 1965
  • Secret Little Akko (TV) (Himitsu no Akko-chan), 1969

[edit] Director

[edit] Producer

[edit] Scriptwriter

[edit] Storyboards

  • Wasteland Boy Isamu (TV) (Kouya no Shounen Isamu), 1973
  • A Dog of Flanders (TV) (Furandaasu no Inu), 1975
  • Seton Animal Chronicles: Jacky the Bear Cub (TV) (Shiiton Doubutsuki Kuma no Ko Jakkii), 1977
  • Perrine's Story (TV) (Periinu Monogatari), 1978
  • Future Boy Conan (TV) (Mirai Shōnen Konan), 1978

[edit] References

1. Ōtsuka Yasuo no Ugokasu Yorokobi DVD. Studio Ghibli. 2004.

[edit] External links


World Masterpiece Theater
Calpis Manga Theater: Dororo - Moomin - Andersen Stories - New Moomin - Rocky Chuck the Mountain Rat - Heidi, Girl of the Alps
Calpis Kodomo Theater: A Dog of Flanders - 3000 Leagues in Search of Mother - Rascal the Raccoon
Calpis Family Theater: The Story of Perrine
World Masterpiece Theater: Anne of Green Gables - The Adventures of Tom Sawyer - The Swiss Family Robinson - Lucy of the Southern Rainbow - Story of the Alps: My Annette - Katri, Girl of the Meadows
House World Masterpiece Theater: Princess Sarah - Polyanna Story - Little Women - Little Lord Fauntleroy - Adventures of Peter Pan - Daddy Long-Legs - The Sound of Music - The Bush Baby - Tale of Young Grass: Nan and Miss Jo
World Masterpiece Theater: Tico of the Seven Seas - Romeo and the Black Brothers- Lassie - Remi, Nobody's Girl
World Masterpiece Theater(BS-Fuji): Les Misérables: Little Girl Cosette
Other related articles: Hayao Miyazaki - Nippon Animation - Isao Takahata
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