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Kazoo

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For the visual effects technology, see ZOO Digital Group.

Two examples of the kazoo Image:Kazoo.jpg

The kazoo is a simple musical instrument (membranophone) that adds a "buzzing" timbral quality to a player's voice when one hums into it. The kazoo is a type of mirliton - a device which modifies the sound of a person's voice by way of a vibrating membrane. The membranophone label is a key element in the kazoo being called a musical instrument. Kazoos are often used by children because they are simple to use.

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[edit] Notes on Playing the Kazoo

While humming is the term typically used to describe the technique required to play a kazoo, a more accurate term would be singing into the kazoo. A person can hum with their lips completely closed. Humming with your lips closed around the mouthpiece of the kazoo will not change the sound - you must vocalize or "sing" in order for the kazoo to make any sound. Many people will struggle with getting any sound from a kazoo when instructed to hum. But when instructed to speak "do, do, do..." into the kazoo mouthpiece, the 'hard' vocalisation makes a more effective sound.

[edit] History

Such instruments have been used in Africa for hundreds of years, to disguise the sound of somebody's voice or to imitate animals, often for various ceremonial purposes. It was on such an instrument that the kazoo, invented by an African American named Alabama Vest in the 19th century in Macon, Georgia, is based. The first kazoo was manufactured to Vest's specifications by Thaddeus von Clegg, a German clockmaker in Macon. The kazoo was first publicized at the Georgia State Fair in 1852. The first metal kazoos were manufactured and patented in Eden, New York, where they are still made in the original factory. A temporary kazoo can be made by combining comb and tissue paper or wax paper.

[edit] Professional usage

The kazoo is played professionally in jug bands and comedy music, and by amateurs everywhere. It is one of the few acoustic instruments to be developed in the United States and one of the easiest melodic instruments to play well, requiring only the ability to hum in tune. In North East England and South Wales, kazoos play an important role in so-called jazz bands (really children's marching bands).

In the Original Dixieland Jass Band 1921 recording of "Crazy Blues", what the casual listener might mistake for a trombone solo is actually a kazoo solo by drummer Tony Sbarbaro. The Mound City Blue Blowers had a number of hit kazoo records in the early 1920s. The Mound City Blue Blowers featured Dick Slevin on metal kazoo and Red McKenzie on comb-and-tissue-paper kazoo. The vocaphone, a kind of kazoo with a trombone-like tone, was occasionally featured in Paul Whiteman's Orchestra. Trombonist-vocalist Jack Fulton played it on Whiteman's recording of "Vilia" (1931) and Frankie Trumbauer's "Medley of Isham Jones Dance Hits" (1932).

The kazoo is not often found in European classical music, a rare exception being David Bedford's With 100 Kazoos, a piece which emphasises the simplicity of the instrument - rather than being played by trained musicians, kazoos are handed out to members of the audience, who accompany a professional instrumental ensemble.

One of the best known kazooists in recent times might be Barbara Stewart. She was a classically trained singer who has written a book on the kazoo[1], formed the "quartet" Kazoophony, and performed at Carnegie Hall. She recently appeared on Late Night with Conan O'Brien.

Another well known modern band to use the kazoo are The Cure who sometimes use it in acoustic sessions, perhaps most famously in their song The Walk for MTV Unplugged.

[edit] Kazoos in pop culture

Image:Kazooplaying.jpg

[edit] External links

es:Mirlitón fr:Kazoo is:Kazoo it:Kazoo he:קאזו lb:Mirliton nl:Kazoo ja:カズー pl:Mirliton fi:Kazoo

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