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List of twelve-tone pieces

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Musical pieces by style
Period
Neoclassical (see Neoclassicism)
Modernistic (see Modernism)
Style
Dadaistic (see Dada)
Impressionistic (see Impressionist music)
Jazz (see Jazz)
Minimalistic (see Minimalist music)
Nationalistic (see Nationalism)
Populistic (see Populism)
Postminimalistic (see Postminimalism)
Surrealist (see Surrealism)
Technique
Atonal (see Atonality)
Twelve-tone (see Twelve-tone technique)
List of pieces which use serialism (see Serialism)
Extended techniques (see Extended technique)
Pandiatonic (see Pandiatonic)
Polytonal (see Polytonality)
Process music (see Process music)
Quartal (see Quartal harmony)
Quarter tone (see Quarter tone)
Whole tone (see Whole tone scale)
Phase (see Phasing)
Quotation (see Quotation)
Three Lieder, for voice, E flat clarinet and guitar, opus 18 (1925)
Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, opus 19 (1926)
String Trio, opus 20 (1927)
Symphony, opus 21 (1928)
Quartet for violin, clarinet, tenor saxophone and piano, opus 22 (1930)
Three Songs on Hildegard Jone's Viae inviae, for voice and piano, opus 23 (1934)
Concerto for flute, oboe, clarinet, horn, trumpet, violin, viola and piano, opus 24 (1934)
Three Lieder on texts by Hildegard Jone, for voice and piano, opus 25 (1934-35)
Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, opus 26 (1935)
Variations, for solo piano, opus 27 (1936) - sound sample of the opening bars (ogg format, 19 seconds, 85 KB)
String Quartet, opus 28 (1937-38) - the tone row of this piece is based around the BACH motif
Cantata No. 1, for soprano, mixed choir and orchestra, opus 29 (1938-39)
Variations, for orchestra, opus 30 (1940)
Cantata No. 2, for soprano, bass, choir and orchestra, opus 31 (1941-43)
Cantata (1952)
Three Songs From Shakespeare (1953)
In Memoriam Dylan Thomas (1954)
Threni (1958)
A Sermon, A Narrative, and a Prayer (1961)
The Flood (1962)
Three Compositions for Piano (1947)
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