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Maestà

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Maestà is the italian word for female sovereign, the concept is used for pieces of art that show the enthroned Madonna with child often accompanied with angels and saints.

These paintings came in fashion in the second half of 12th ct. and in the 13th ct. either as pictures on walls as frescos or as paintings on wooden altar panels.

Famous examples for these kind of paintings are Simone Martini's Maestà at the Palazzo Pubblico in Siena, Italy or Cimabue's fresco in the Basilica of San Francesco d'Assisi in Italy.

300px
The Mother of God Enthroned with the Christ Child
Amidst Angels and Saints
(Central Panel of the Maestà)
Duccio, 13081311
tempera and gold on wood
214 × 142 cm
Museo dell'Opera del Duomo, Siena

Another most beautiful example for such a painting is the Maestà with 20 Angels and 19 Saints, a fabulous altarpiece comprised of many individual paintings commissioned by the city of Siena in 1308 by the artist Duccio di Buoninsegna.

The painting was installed in the cathedral in Siena on June 9, 1311. One person who witnessed this event wrote:

"And on that day when it (the Maestà) was brought into the cathedral, all workshops remained closed, and the bishop commanded a great host of devoted priests and monks to file past in solemn procession. This was accompanied by all the high officers of the Commune and by all the people; all honorable citizens of Siena surrounded said panel with candles held in their hands, and women and children followed humbly behind. They accompanied the panel amidst the glorious pealing of bells after a solemn procession on the Piazza del Campo into the very cathedral; and all this out of reverence for the costly panel… The poor received many alms, and we prayed to the Holy Mother of God, our patron saint, that she might in her infinite mercy preserve this our city of Siena from every misfortune, traitor or enemy."

The altarpiece remained in place until 1711, when it was dismantled in order to distribute the pieces between two altars. The 5 meter high construction was dismantled and sawn up, and the paintings damaged in the process. Partial restoration took place in 1956. The dismantling also lead to pieces going astray, either being sold, or simply unaccounted for. Today what remains of the altarpiece is divided between Siena and several other museums all over the Western world, as noted below.

Panels of Duccio's Maestà altarpiece at Museo dell'Opera della Metropolitana, Siena

  • The Mother of God Enthroned with the Christ Child Amidst Angels and Saints, central panel
  • The Wedding Feast of Cana
  • The Temptation of Christ atop the Temple
  • The Annunciation of the Virgin's death
  • The Virgin's Farewell to St John
  • The Virgin's Farewell to the Apostles
  • The Death of the Virgin
  • The Funeral of the Virgin
  • The Burial of the Virgin
  • The Appearance of Christ behind closed doors
  • The Incredulity of St Thomas
  • The Pentecost
  • The Appearance of Christ on Lake Tiberias
  • The Appearance of Christ on the Mountain in Galilee
  • The Appearance of Christ to the Apostles at Supper
  • The Adoration of the Magi; Salomon
  • The Presentation in the Temple; the prophet Malachi
  • The Massacre of the Innocents; the prophet Jeremiah
  • The The Flight into Egypt; the prophet Hosea
  • The Boy Jesus among the Doctors
  • Episodes from Christ's Passion Tempera and gold on wood. The work, consisting of 26 episodes on 14 panels, was originally the reverse surface of the Maestà.

Panels of Duccio's Maestà altarpiece outside of Siena

[edit] Reference

Giovanna Ragioneri, Duccio, Cantini, Florence 1989 (ISBN88-7737-058-0))

[edit] External links

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