March of the Penguins

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March of the Penguins

Directed by	Luc Jacquet
Produced by	Ilann Girard Yves Darondeau Christophe Lioud Emmanuel Priou
Written by	Luc Jacquet Michel Fessler
Narrated by	Morgan Freeman (US version) Charles Berling Romane Bohringer Jules Sitruk
Starring	Emperor Penguin
Distributed by	Warner Independent Pictures (US) Chrystal Films (Canada)
Release date(s)	Image:Flag of France.svg January 26, 2005 Image:Flag of Canada.svg 20 May, 2005 Image:Flag of the United States.svg June 24, 2005 (limited) Image:Flag of the United States.svg July 22, 2005 (wide) Image:Flag of the United Kingdom.svg 9 December, 2005 Image:Flag of Australia.svg 19 October, 2006
Running time	85 min 84 min (US version)
Official website
All Movie Guide profile
IMDb profile

March of the Penguins (French: La Marche de l'empereur; literally The Emperor's Journey) is an Academy Award-winning documentary film by Luc Jacquet, co-produced by Bonne Pioche and the National Geographic Society.

The film depicts the yearly journeys of the Emperor Penguins of Antarctica. In autumn, all the penguins of breeding age (five years old and over) leave the ocean, their normal habitat, to walk inland to their ancestral breeding grounds. There, the penguins participate in a courtship that, if successful, results in the hatching of a chick. For the chick to survive, both parents must make multiple arduous journeys between the ocean and the breeding grounds over the ensuing months.

It took one year to shoot the movie, which was filmed around the French scientific base of Dumont d'Urville in Adélie Land.

1 International versions
2 Subject matter
3 Releases and responses
4 Political and social interpretations
5 Awards
6 Spoofs
7 External links
8 References
9 Further reading

[edit] International versions

The original French language release features narration "dubbed" as if it is spoken by the penguins themselves; the voice actors are Charles Berling, Romane Bohringer and Jules Sitruk. The English language release was given a more straightforward narration by American actor Morgan Freeman, as was the Dutch version (narrated by Belgian comedian Urbanus), and the Polish version (by actor Marek Kondrat).

The Filipino version is narrated by actress Sharon Cuneta; it was entitled Penguin, Penguin, Paano Ka Ginawa? (English: "Penguin, Penguin, How Were You Made?") with the English title as the subtitle; this may be an allusion to a Philippine novel and movie, Bata, Bata, Paano Ka Ginawa? (English: "Child, Child, How Were You Made?")

The French version uses an original soundtrack by Émilie Simon, whereas the English language version replaces it with a score by Alex Wurman.

[edit] Subject matter

The Emperor Penguins use a particular spot as their breeding ground because it is on pack ice that is solid year round, so that there is no danger of the ice becoming too soft to support the colony. It is also in a protected area, which shields the colony from winds that can reach 300 km/h. At the beginning of Antarctic summer, the breeding ground is only a few hundred meters away from the open water where the penguins can feed. However, by the end of summer, the breeding ground is over 100 km away from the nearest open water. In order to reach it, all the penguins of breeding age must walk this great distance, occasionally sliding on their bellies.

The penguins are serially monogamous: monogamous within each year. This is functional: the female lays a single egg, and the cooperation of both parents are needed if the chick is to survive. After the female lays the egg, she must transfer it to the male without it touching the ground. If the egg is exposed for more than a few seconds, the intense cold will kill the unborn chick. The male must tend to the egg because the female must return to the sea, now even further away, both in order to feed herself and to obtain extra food for feeding her chick when she returns. She has not eaten in two months and by the time she leaves the hatching area, she will have lost a third of her body weight.

For an additional two months, the males huddle together with their precious egg and each other for warmth, never daring to drop it. They endure temperatures approaching -62 °C (-80 °F), and their only source of water is snow that falls on the breeding ground. When the chicks hatch, the males have only a small meal to feed them, and if the female does not return, they must abandon their chick and return to the sea to feed themselves. By the time they return, they have lost half their weight and have not eaten for four months. The chicks are also at risk from predator birds such as the Giant Petrel.<ref>This bird is unindentified in the film itself, but the Region 2 DVD identifies it.Antartic Skua</ref>

The death of a chick is tragic, but it does allow the parents to return to the sea to feed for the rest of the breeding season. At times, the young are abandoned by one parent, and they must rely on the return of the other parent, who can recognize the chick only from its unique call. Many parents die on the trip, killed by exhaustion or by predators (such as the Leopard Seal), dooming their chicks back at the breeding ground.

The parents must then tend to the chick for an additional four months, shuttling back and forth to the sea in order to provide food for their young. As spring progresses, the trip gets easier and easier, until finally the parents can leave the chicks to fend for themselves.

[edit] Releases and responses

The first screening of the film was at the Sundance Film Festival, in the USA on 21 January, 2005. It was released in France the next week, on 26 January, where it earned a 4-star rating from AlloCiné, and was beaten at the box office only by The Aviator during its opening week.

The film was released on DVD in France on July 26, 2005. The DVD extras address some of the criticisms the movie had attracted, most notably by reframing the film as a scientific study and adding facts to what would otherwise have been a family movie. This Zone 2 release featured no English audio tracks or subtitles.

The original French version was released in Quebec. Subsequently, an English language version was released in the rest of North America on June 24, 2005, which drew praise from most critics who found it both informative and charming (it has received an enviable 95% "fresh" rating on the website Rotten Tomatoes', which collects movie reviews). The movie-going public apparently agreed with that assessment, as the film distinguished itself as one of the most successful films of the season on a per-theatre basis: it became the second most successful documentary released in North America, after Fahrenheit 9/11, grossing over $77 million in the United States and Canada.[1]

The reason for the unusually strong success of March of the Penguins in the United States is a subject of some speculation.^{[citation needed]} Nature documentaries are not uncommon, but most do not perform as well in the marketplace or garner as much recognition in the film industry. The decision to release this movie in theaters as opposed to television was unusual, (although not unprecedented, particularly for French documentaries such as Microcosmos and Winged Migration). Morgan Freeman's narration is partly credited with the movie's success,^{[citation needed]} yet celebrity narration is a common feature of many documentaries on sources such as the Discovery Channel or the National Geographic Channel (e.g. Edward Norton hosted National Geographic's Strange Days on Planet Earth). Whatever the reasons, the movie has emotionally engaged audiences more successfully than most other such films: even before its Academy Award win its box office revenues were disproportionately high for the genre; indeed, it was more successful than any of the films nominated for Best Picture. Thansgiving weekend, 2006, The Hallmark Channel played the film, which turned out to be Hallmark's biggest day for viewers ever.

The spectacular North American success of this film benefited the 2006 animated film about penguins, Happy Feet, which was in production when March was released. Taking advantage of the public interest in penguins the documentary encouraged, Happy Feet debuted as the #1 film in the North America box office on its opening weekend.

In 2007 a parody Farce of the Penguins will be released. It is produced by Bob Saget and narrated by Samuel L. Jackson and features other stars as voice talents.

In November 2006 the movie was adapted into a video game by DSI Games for the Nintendo DS and Game Boy Advance platforms. It features Lemmings like gameplay.

[edit] Political and social interpretations

The film attracted some political and social commentary in which the penguins were viewed anthropomorphically as having similarities with, and even lessons for, human society. Michael Medved praised the film for promoting conservative family values by showing the value of stable parenthood.^{[citation needed]} Medved's comments provoked responses by others, including Andrew Sullivan, who pointed out that the penguins are not in fact monogamous for more than one year, and (at least in captivity) have a tendency toward homosexual and bisexual behavior.[2] Other commentators such as Matt Walker have pointed out the dark side of penguin life: many penguin 'adoptions' of chicks are in fact kidnappings, weak chicks are frequently the victims of infanticide, albino penguins are ostracised and attacked and that prostitution is practiced by at least one species of penguins <ref>New Scientist, October 1, page 17</ref>. Sullivan and Walker both conclude that trying to compare human behavior with animal behavior is a mistake.

Image:1122Marchofthepenguinsf+m.jpg

The director, Luc Jaquet, has condemned such comparisons between penguins and humans. Asked by the San Diego Union Tribune to comment on the film's use as "a metaphor for family values – the devotion to a mate, devotion to offspring, monogamy, self-denial", Jaquet responded

"I condemn this position. I find it intellectually dishonest to impose this viewpoint on something that's part of nature. It's amusing, but if you take the monogamy argument, from one season to the next, the divorce rate, if you will, is between 80 to 90 percent... the monogamy only lasts for the duration of one reproductive cycle. You have to let penguins be penguins and humans be humans." [3]

Some writers suggested that the penguins' success was proof of intelligent design rather than evolution.^{[citation needed]} In response, writer George Will asked why an intelligent designer would have penguins raise chicks in minus 80 degree Fahrenheit temperatures.

[edit] Awards

Won - Academy Award for Documentary Feature
Won - American Cinema Editors, Best Edited Documentary: Sabine Emiliani
Nominated - BAFTA Awards, Best Cinematography: Laurent Chalet, Jérôme Maison
- Best Editing: Sabine Emiliani
Won - Broadcast Film Critics Association, Best Documentary
Won - César Awards, Best Sound (Meilleur son): Laurent Quaglio, Gérard Lamps
- Nominated, Best Editing (Meilleur montage): Sabine Emiliani
- Nominated, Best First Work (Meilleure première film): Luc Jacquet
- Nominated, Best Music Written for a Film (Meilleure musique): Emilie Simon
Won - National Board of Review, Best Documentary
Nominated - Online Film Critics Society Awards, Best Documentary
Nominated - Satellite Awards, Outstanding Documentary DVD
- Nominated, Outstanding Motion Picture, Documentary
Won - Southeastern Film Critics Association Awards, Best Documentary
Nominated - Writers Guild of America, Documentary Screenplay Award: Jordan Roberts (narration written by), Luc Jacquet (screenplay/story), Michel Fessler (screenplay)
Won - Rotten Tomatoes' Golden Tomato Awards - Best Reviewed Documentary of 2005, beating Murderball and Enron: The Smartest Guys in the Room
Won - Victoires de la musique, Original cinema/television soundtrack of 2006