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Miramax Films

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Miramax Films was a Big Ten film motion picture distribution and production company headquartered in New York City before being bought out by The Walt Disney Company.

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[edit] History

Founded by the brothers Harvey and Bob Weinstein in Buffalo, New York in 1979, and named by combining the first names of their parents Max and Miriam, the company was originally created in order to distribute independent films which were deemed commercially inviable at the major studios.

The company's first major success came when the Weinsteins teamed up with British producer Martin Lewis and acquired US rights to two concert films Lewis had produced of benefit shows for human rights organization Amnesty International. The Weinsteins worked with Lewis to distill the two films into one film for the US marketplace and the resulting film The Secret Policeman's Other Ball (US Version) was a successful release for Miramax in the summer of 1982. It also presaged a modus operandi that the company would undertake later in the 1980s of acquiring films from international filmmakers and reworking them to suit US sensibilities.

Among the company's breakthrough films as distributors were The Crying Game, sex, lies, and videotape, Tie Me Up! Tie Me Down! and Scandal. The company also made films such as Pulp Fiction, Heavenly Creatures and Shakespeare In Love

In addition to those successes, Miramax acquired and/or produced many films which did extraordinarily well financially and the company became one of the leaders of the independent film revolution of the 1990s. It produced or distributed seven films with box office grosses totalling more than $100 million and its most successful title, Chicago, earned more than $300 million worldwide [1].

The company was also exceptionally successful in securing Academy Award® nominations for its releases and a large number of the nominations resulted in Oscar® wins.

In 1993 Miramax was purchased for $70 million by The Walt Disney Company. Harvey and Bob Weinstein ran Miramax until they left the company on September 30, 2005. During their tenure, the Weinstein brothers ran Miramax independently of other Disney companies. However, Disney had the final say on what Miramax could release (see Fahrenheit 9/11 and Dogma, for examples). Disney's Buena Vista Home Entertainment division releases Miramax output.

After extensive negotiations and much media and industry speculation, on March 30, 2005, Disney and the Weinsteins announced that they would not renew their contractual relationship when their existing agreements expired at the end of September 2005. The company's film studio consortium, Buena Vista Motion Pictures Group assumed control of Miramax, which will have a smaller annual production budget. The Weinsteins have started a new film production company simply titled The Weinstein Company and took the Dimension Films label with them, but the Miramax name will remain with the film studio owned by Disney. It is currently run by Daniel Battsek.

Miramax is currently developing a film of the Fathers 4 Justice movement to go into production next year, made by Harbour Pictures (Calendar Girls) and written by Shameless writer Danny Brocklehurst, plus a Tim Firth script, Map of the Universe.

[edit] Criticism

Miramax has come under criticism from foreign film fans for its editing, dubbing, and replacing the soundtracks of various foreign films it releases. One notable example is Iron Monkey, which though released subtitled, had its subtitles altered to remove the political context of the story, had scenes trimmed and changed for violence and pacing, and had the soundtrack changed, removing the famous Wong Fei Hung theme. Other films that they have altered in this way include Shaolin Soccer, Farewell My Concubine (theatrical release) and Jet Li's Fist of Legend, which was released both edited and dubbed, with no option to watch the DVD subtitled. The Weinsteins' Miramax also had a history of buying the rights to Asian films only to sit on them without releasing them for some years, while trying to bar retailers from selling authentic imported DVDs of the films. [citation needed] Hero is one such example which was only salvaged after Quentin Tarantino's intervention. A number of Asian producers who sold their distribution rights to the company refuse to do so for their subsequent films. [citation needed]

MonkeyPeaches, a website about Chinese movies, accuses both its ISP and Miramax of "backstabbing" their site by threatening, without giving the site any warning, a lawsuit unless it immediately stopped selling Hero, which was still in US theaters. The ISP responded by shutting down the site. [2] [citation needed]

Defenders of the company point out that prior to Miramax most of the films referred to would have had little to no chance of achieving US distribution other than by very small distributors with minimal marketing expertise and funds. They also state that the purpose of the company's aggressive re-editing technique was always to try help the films find a broader American audience than they might otherwise find.

Miramax also has a family films division, Miramax Family Films.

[edit] Selected list of Miramax films

[edit] External links

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