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Quantum Leap (TV series)

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"Quantum Leap" redirects here. For the quantum physics effect, see quantum leap.
Quantum Leap
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Genre Science fiction/Drama
Running time 45 minutes per episode
Creator(s) Donald P. Bellisario
Starring Scott Bakula
Dean Stockwell
Country of origin Image:Flag of the United States.svg United States
Original channel NBC
Original run March 26, 1989–May 5, 1993
No. of episodes 97 (List of episodes)
IMDb profile
TV.com summary

Quantum Leap is a science fiction television series that ran for 97 episodes from March 1989 to May 1993 on NBC. The summary for the show was done as follows:

"Theorizing that one could time-travel within his own lifetime, Dr. Sam Beckett led an elite group of scientists into the desert, to develop a top-secret project known as Quantum Leap. Pressured to prove his theories or lose funding, Dr. Beckett prematurely stepped into the project accelerator, and vanished...

He awoke to find himself trapped in the past, facing mirror images that were not his own, and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself Leaping from life to life, striving to put right what once went wrong, and hoping each time that his next Leap...will be the Leap home..."

Contents

[edit] Characters

Main article: List of Quantum Leap characters

[edit] Plot

Spoiler warning: Plot and/or ending details follow.

In the near future (about 1995), at a highly classified U.S.-government-funded research facility somewhere in the desert of New Mexico, physicist Sam Beckett is working on a grand experiment to prove his time-travel theory. Sam is working alongside Gushie, the lead programmer of Project: Quantum Leap. Gushie also works the controls for the imaging chamber. However, the funding for the project is about to be cut. Sam's colleagues protest that they're not ready, but in a last-ditch effort to prove that his theories are correct, Sam steps into the project's "accelerator chamber" and vanishes.

Image:Quantum Leap.jpg
Sam appears in the past with no memory of who he is or where he is. This side-effect of uneven amnesia is called Swiss-cheesing or (as a technical term in the show's universe) magnafluxing, which prevents him from remembering most of the details of his own life. His friend from his original time, Albert "Al" Calavicci (played by Dean Stockwell), appears to him as a holographic projection from the "imaging chamber", usually only visible and audible to Sam, but also small children, and animals. Al is the project observer and a retired U.S. Navy Rear Admiral. It is revealed that Gushie made a frantic call to Al when Sam vanished in the imaging chamber and called him in to work on the situation. Gushie continues to work alongside Al in Sam's original time. Along with the (possibly) sentient supercomputer named Ziggy, Al is able to help Sam "set right what once went wrong" before he leaps out into the next person. At the beginning and end of nearly every episode, as Sam leaps into a new person, the catch phrase of "Oh boy..." is uttered. Two prominent exceptions occurred when Sam says "Oy Vey!" after he leaps into a rabbi and "Oh God!" when he leaps into a death row inmate about to be killed in the electric chair. Another notable exception is in the episode "Dr. Ruth", in which the leap is shown from the leapees' point of view rather than Sam's. When the leap takes place, we are with Dr Ruth in the waiting room, and see her character transform into a man who resembles a vampire, who smiles and laughs in order to show his fangs.

In the pilot episode, Sam has leapt to the year 1956 as an X-2 test pilot, Captain Tom Stratton. In one of his holographic visits, Al tells Sam about Ziggy's theory that "God, or Time, was just waiting for your quantum leap to... correct a mistake." Al thinks that this is "a load of crap", but "if Ziggy's right, all you have to do is break Mach 3 and live." (Al also suggests that he wait 40 years and Sam will be in "the present.") But as more of these seemingly random leaps put Sam in a position to fix something that once went wrong, Al gradually comes to believe that the experiment has been mysteriously co-opted by an unidentified higher power, to use Sam to avert tragedies in ordinary people's lives. This, along with (possibly) the theory that God is controlling these leaps, is later somewhat confirmed when Sam appears to meet the devil (who temporarily assumes Al's appearance to torment Sam before trying to kill him), who tells Sam "Who gave you the right to go bungling around in time, putting right what I made wrong?". It is re-confirmed indirectly when Sam meets an "evil leaper" who knows that her job is to set wrong what once went right.

Another episode supporting the idea that a higher power is in charge is one in which Sam happens to encounter Al's first wife, Beth. At Al's insistence, Sam tries to prevent her from falling in love with the man she would marry while Al was a POW in Vietnam. But every time Sam thinks he has gotten rid of the man, he winds up running into Beth again, as if it were meant to be. Finally, Sam finds out Al's true motive and makes Al tell him his true mission.

The term holographic projection is used in the program, although it is not the same as real holography. The show's "hologram" is a three dimensional, neurological projection; "created by an agitation of subatomic carbon quarks tuned to the mesons of my optic and otic neurons." To project the hologram, Al enters an "Imaging Chamber" in which the image of Al and anything he is touching, e.g., a person or cigar, are visible to Sam and Sam can hear Al speak, and correspondingly events in the past are visible and audible to Al. However, throughout the series, it has been found that animals, young children, the mentally ill and the fatally wounded can see Al. This is used to Sam's advantage on a few occasions, such as Al soothing a crying child, leading a dog away from Sam, or speaking directly with an asylum inmate. This last proves very useful given that Sam is unable to perform his usual Leap duties as electro-shock therapy disrupts his ego and causes him to revert to the personalities of some of his past hosts; Al is able to talk to the person Sam is there to help and deal with the situation for him, although Sam still needs help to actually Leap in the end.

In what may be a form of paradox, in one episode Sam leaps into Al himself at an earlier period, when Al is on trial for rape and murder of a Commander's wife. Although in the original history, Al was acquitted, Sam's actions cause the case to begin turning against Al. Partway through the episode, when Ziggy projects that the odds are 100% that Al will be convicted, Al disappears mid-sentence and is replaced by Edward St John, a character played by Roddy McDowall (with only Sam remembering that Al was the Observer), implying that Al was convicted and executed. In this new continuity, the staff at Quantum Leap appeared less emotionally involved with Sam's various hosts, and Sam and St. John have no apparent connection beyond a professional relationship; St. John even calls Sam 'Samuel', a name that Sam hasn't been called since he last saw his great-aunt. Fortunately, as soon as the odds jump back in favor of Al surviving, Al is restored, with only Sam remembering that Edward St. John was ever even there. This confirms that Project Quantum Leap would still exist without Al, though it would be radically different from the project as we know it.

The Quantum Leap generator is run by a supercomputer called Ziggy which can use its immense database to pinpoint where and who Sam is and help Al figure out why he is there and what he must do so everything can be put right (in the above instance when history changes, Ziggy is called 'Alpha', another example of the formality of the alternate Project). Almost every episode centers on what Ziggy is trying to tell Sam to do, and giving him a clear objective, such as making sure someone doesn't end up in a car that will crash, saving a child's life, or having someone stand up for him- or herself after an attack like a rape or hate crime. Almost always, what Ziggy said was confusing and left Sam and Al to figure out in the last minute what had to be done so everything would be put right and Sam could leap. Ziggy is apparently self-aware, and in early seasons is generally referred to as "he", though in one episode in season four where Sam "returns home" to his own time (with Al becoming the Leaper), Ziggy is revealed to speak with a female voice. Interestingly, in the aforementioned confrontation between Sam and the devil, Ziggy was reported as malfunctioning and unable to locate Sam, but the team could not determine what was the cause of such a serious malfuntion. When Al eventually arrived on the scene ( to see the what appeared to be himself! ) he stated in a horrified tone that "Ziggy says there's definetly something there Sam!" in reference to the spot the devil was standing. Ziggy's power seems far more potent than a simple AI.

[edit] Leaping: mind or body?

In early episodes of the series, it is unclear whether it is only Sam's mind that leaps (into other people's bodies) or if Sam's mind and body leap together. Subsequent episodes make it clear that both Sam's mind and body leap, and that an 'aura' surrounds him, making him look and sound like whoever he's leaped into (back home, the 'leap-ee' is suffused with a similar aura, and looks/sounds like Sam). Some examples of this include:

  • "Nowhere to Run": Sam leaps in as a Vietnam vet who has no legs. However, Sam can still walk, and actually does so in the episode (to outside observers he appeared to be floating in midair).
  • "Killin' Time": Sam explains to his hostages that he leaps into people's lives and his body is there with him.
  • "Blind Faith": Sam assumes the life of a blind concert pianist. Sam, however, can still see, and must pretend to be blind in order to complete his mission.
  • "8½ Months": Sam poses as a pregnant teenage girl. Sam incredulously asks Al how he could possibly be giving birth, to which Al replies that this is impossible - "it's your body, not hers." But, however, he is emotionally connected to the baby (which is in the future). Also for the first time, Sam shows himself to really be the person he leaps into and not only having the aura surround him. This may be a inconsistency, because never before did he have to deal with the handicaps of the leap-ee.
  • "The Wrong Stuff": Sam leaps into a chimpanzee in the space program. The episode makes it clear that chimpanzees are unable to swim, yet Sam is able to dive into the water to rescue a drowning man.
  • "Revenge of the Evil Leaper": Toward the end of the episode, Sam shoots the former Observer, Zoey, and kills her, but when the person she had leapt into returns, he is clearly alive and well; also, when Zoey attempts to shoot Alia, the first Evil Leaper, neither Alia nor her host are harmed, presumably because Alia leapt out just before the bullets hit and her host leapt back after the bullets passed through them. Zoey's fate also confirms that Sam could theoretically die during a leap. However, Alia's fate suggests that Sam would be leapt out of any such situation before he could actually die.
  • "Trilogy (Part 3)": Al informs Sam that he is the father of Samantha Josephine "Sammy Jo" Fuller, a child he fathered 10 years earlier in "Trilogy (Part 2)", and that she inherited his intelligence (with an IQ of 194).

Sam's neurons and mesons are linked through Ziggy to Al. These are physical elements of the human body which would prove that Sam's physical body is leaping with Sam. This is also proven in the episode "A leap for Lisa" when "Project: Quantum Leap" leap's young Al into himself.

There are numerous other episodes in which Sam performs feats of strength that are suggested to be beyond the abilities of the people leapt into. For instance, in "Runaway", despite being a young boy, Sam is able to easily suspend his older and stronger sister over a well. Several other episodes feature Sam as a woman beating up male attackers while witnesses look on in amazement.

If Sam leaps in as somebody who is physically a different size than is Sam's own body, Sam is 'refracted' and temporarily made larger or smaller to fit (similar to the effect of light being refracted through a prism), most notably in "The Wrong Stuff" when he became a chimpanzee. However, a simpler explanation of this would be mere dramatic license.

It is established early in the show's run that Al sees Sam as the leapee rather than as Sam. However, later episodes indicate that he clearly sees Sam as Sam. In the episode "What Price, Gloria", Al becomes smitten with Sam's appearance as a woman. However, later in "Miss Deep South", Al mocks Sam's attempts to imitate a gorgeous beauty pageant contestant. (He refers to Sam/Darlene as "Scarlett O'Hara on steroids" at one point.) It has been suggested that after the distractions caused by the situation in "What Price, Gloria", the frequency in the imaging chamber was reconfigured to show Sam as Sam.

Due to domino effect and butterfly effect chain reactions, most continuity errors or other inconsistencies in the series can be attributed to ripples from Sam's influence on history.

[edit] Historical references

The series very rarely addresses specific historical events, though it often uses its "ordinary people" plots to address particular social, political, and spiritual issues. Many episodes depict Sam dealing with issues characteristic of particular periods, such as civil rights, racism, the Vietnam War, and the Cold War (the presence of Al helps in these regards, as Al was captured for most of the Vietnam War and his sister Trudy suffered from Down Syndrome when he was young, although she died when they separated following their father's death).

The series strongly favors messages of tolerance and understanding others, aided in large part by the story format, which has the protagonist literally walking in another man's (or, in later episodes, woman's) shoes. In one instance, Sam finds himself back in his own childhood in Indiana, with a chance to improve his own family's life, but when his initial attempts fail, he realizes that he may just have been there to say goodbye to them. (However, in the next episode, he is able to save his brother's life in Vietnam on a mission where the brother originally died).

One common criticism is that in all but a handful of episodes, Sam leaps into someone in the US. Apparently God or Time or whoever is controlling the leaps did not concern itself with trying to "put right what once went wrong" elsewhere in the world (though the ripple effect of Sam's changes, as described by the bartender in the series finale, may somewhat have alleviated this lack). The language barrier is not an effective explanation, since it is established early on that Sam speaks several foreign languages fluently, and thus could conceivably leap into numerous foreign countries without any significant handicap. However, in the last episode of the series, it is established that Sam isn't the only leaper, so one could theorize that God or Time or whoever is controlling the leaps might have different leapers operating in different countries most of the time.

Behind the scenes, however, the reason was obvious. The producers wanted to keep the leaps "local" so the American viewing audience could identify better with the situations presented. Nonetheless, later in the show's run, Sam did begin leaping into foreign locales with greater regularity, leaping into Russia and Japan during the "Lee Harvey Oswald" two-part episode, an archaeological dig in Egypt in "The Curse of Ptah-hotep", an island in the Aegean Sea in "Leaping of the Shrew", England in "Blood Moon", and fighting in the Vietnam War in the second part of "The Leap Home".

There have been only two instances where Sam leaps outside of his own timeline. The first happens after Sam and Al leaps out of a previous leap while Sam is receiving electroshock therapy (to correct a mental problem encountered by receiving it at the beginning of the episode). This effectively switches the roles of Sam and Al such that Sam is the holographic image and Al is the leaper. Al leaps into a serviceman recently returning from combat in World War II, on almost exactly the date he was born. Because Ziggy is only programmed to document events that happened during Sam's lifetime, the information about what Al is there to do arrives too late; these circumstances force Sam back as the leaper and returns Al to his own time, when Al is knocked out before Ziggy can discover what Al is there to do. Sam then leaps in to replace Al and complete the mission, since he would be conscious.

Another instance is when Sam unknowingly leaps into his great grandfather, Capt. John Beckett, during the height of the American Civil War. The explanation for the leap is that although Sam cannot leap beyond his own lifetime, he somehow was able to leap with his great grandfather due to the fact that he and John Beckett have a similar DNA markup. The error which allows Sam to leap beyond his own lifetime is subsequently corrected by Ziggy.

Some have inquired why Sam never tries to contact a past version of himself, or another member of the Quantum Leap project, to warn them about the accident that sent Sam leaping through time with no way to get home. This would have effectively changed history and prevented Sam's initial leap in time. During the series, Sam leaps into past versions of himself and Al and on a few occasions comes into contact with family members, professors, and scientists who would either later know about Project Quantum Leap or directly contribute to its completion. (On one occasion, his former professor ended up married to a woman Sam was there to protect). In one episode, Sam actually writes a letter to Project Quantum Leap — to be delivered by his father's lawyer decades later — telling the project to open the Imaging Room door during an accident where Sam and Al switched places. He thus theoretically has multiple opportunities to prevent his future circumstances. If Sam changes history in this way, however, he wouldn't have leaped back in time in the first place to send the message.

One might speculate that whatever force is leaping Sam around in time would prevent him from being able to change history in this fashion. In addition, there are moral issues of undoing all his work and changing the lives of all the people he has helped. Another possibility is due to Sam's own discretion: if Sam prevents the project from ever happening, his dream of time travel would have never been realized.

Only a few times did Sam "leap" into an actual historical figure, the first being Lee Harvey Oswald and the last being Elvis Presley. He also leaps into the chauffeur of Marilyn Monroe shortly before she dies. All these leaps are in the fifth (final) season and were widely believed to be jumping the shark efforts to boost the show's ratings and are looked down on by some fans. However, throughout the series it is common for Sam to leap into a character or situation based fairly obviously on a real person or event; for instance, in the episode "Roberto!", Sam leaps into a sensationalistic reporter and talk show host who is quite clearly based on Geraldo Rivera).

The Oswald story arc confirms that Sam and Al's "native time" occurs in a different timeline than our own, when Sam attempts to intervene during the assassination of John F. Kennedy. Although he fails to save the president, Al reveals that his mission was still successful because, in their timeline, Jacqueline Kennedy also died in the attack. It is also hinted that, in the original Quantum Leap timeline, Marilyn Monroe committed suicide at an earlier date than she did in the history we know, and Sam's actions are responsible for her staying alive long enough to make one more movie. From a fictional standpoint, it may be that our universe exists in the way it does because it has been "put right" by Sam's actions.

[edit] "Kisses with history"

Also common are so-called "kisses with history" where Sam briefly encounters someone famous or a well-known event in a manner usually irrelevant to the story, including:

  • In "How the Tess Was Won", Sam inspires Buddy Holly to write the song "Peggy Sue", and as it transpires this is what he was there to do. [1]
  • As a cab driver in 1958, Sam advises a 12-year-old Donald Trump that investing in New York City real estate would be a good way to get rich.
  • In "Thou Shalt Not...", Sam performs the Heimlich Maneuver on a choking man who is addressed as Dr Heimlich; no-one else present recognizes the technique as it had not yet been "invented".
  • In the episode "The Boogieman", Sam's actions help inspire a young horror writer, Stephen King.
  • In the episode "Memphis Melody", during which Sam leaps into Elvis Presley, a young saxophonist in a music contest from Hope, Arkansas is addressed as "little Billy C", a reference to Bill Clinton.
  • In the episode "Camikazi Kid", Sam shows a boy called "Mikey", ostensibly Michael Jackson, how to moonwalk.
  • In "Good Morning, Peoria", Sam teaches Chubby Checker how to do The Twist.
  • In another episode, Sam leaps into the life of Dr. Ruth Westheimer. While Sam deals with a case of sexual harassment in the past, the real Dr. Ruth (in the waiting room) helps Al get over his inability to tell women he loves them after his first wife left him. It seems that in this episode, the point of Sam leaping into Dr. Ruth was for Dr. Ruth to help Al, rather than Sam to help the victim (Westheimer appeared as herself in this role). However, while defending a victim of sexual harassment from her harasser, a woman stops to listen to what Sam is saying, and when her companion speaks to her, we see that the woman listening is Anita Hill.
  • In "A Leap Of Faith", Sam recalls to a young boxer a scene from the film Rocky -- the young boxer's locker door is tagged with S. Stallone - a reference to Sylvester Stallone. (This creates a minor continuity error, as the episode takes place in Philadelphia but Stallone grew up in New York City.)
  • In the aforementioned episode where Sam leaps into his own great-grandfather during the American Civil War, he is charged with helping runaway African slaves escape through the Underground Railroad; it is indicated that the child born to the freed slaves at the end of the episode is the ancestor of Martin Luther King, Jr.
  • In "Rebel without a Clue", Sam pleads with Jack Kerouac to talk a young woman out of pursuing a dangerous life on the road.

[edit] Series conclusion and legacy

The series (created by Donald Bellisario) is somewhat unusual in that it has a science fiction premise, but little science fiction- or fantasy-oriented storytelling, instead focusing on the personal journeys of Sam Beckett and those he encounters. Even in its final episode, the show refuses to resolve many of its own technical and holistic questions, choosing instead to leave things open-ended and focus tightly on what is arguably the series' overarching message: that a single person can change the world one life at a time. Some feel the bartender in this last episode portrays God and what he tells Sam is that his project was messed up for a purpose that would change history for the better.

The final episode was in fact intended to be an end-of-season cliffhanger, but after the series was not renewed by the network, it was re-edited to function as the series finale. This may account for some of its ambiguous nature. The original ending has Sam leaping into 1969 a mere minute or two after he and Al leapt out in the episode "M.I.A", to tell Al's first wife, Beth, that Al is coming home. His Vietnam-era picture begins to "leap" (this is where the final episode cuts off), and then we see a modern picture of Al sitting with Beth and their four daughters. This ending somehow made it out of the studio and has been circulated on the Internet. In the ending that was actually broadcast, we are told that Al was reunited with Beth, that they remain married, and that "Dr. Sam Becket [sic] never returned home." Fans have speculated that this would have erased Project Quantum Leap, Sam and Al's relationship, or even Sam himself from the altered timeline; however, the original script and subsequent statements by Bellisario leave all of these intact.

In many ways, the show is similar to Highway to Heaven, Touched by an Angel or Joan of Arcadia; shows that have recurring plots where the protagonist tries to right wrongs without knowing the full purpose behind each mission.

The Sci-Fi Channel was projected to begin airing a sequel, supposedly called A Bold Leap Forward, sometime in 2006. However, the project appears to have suffered various setbacks, and it currently remains in development. When asked by fans in a Q&A interview with the BBC in September 2006 if there were any plans to resurrect the show in the form of a new series or movie, series star Scott Bakula replied "None that I know of." [2]

Deborah Pratt, the head writer and co-executive producer of the series has launched an entertainment franchise entitled The Vision Quest that further explores some of the themes of the series.

In an interesting nod to QL fans, when series star Bakula arrived on the set of his most recent show Star Trek: Enterprise, he jokingly suggests that the middle name of his Trek character (Captain Jonathan Archer) might be Beckett. Later in the series, Dean Stockwell performed a guest role in an episode of Enterprise.

[edit] Episodes

Main article: List of Quantum Leap episodes

[edit] The Magnum connection

A crossover with Magnum, P.I. (also produced by Donald Bellisario) was planned, in which Sam would leap into Thomas Magnum himself. Plans for a Magnum, P.I. movie (later aborted) led to the crossover being cancelled, although some footage was filmed, including the initial leaping in sequence, usually put at the end of the preceding episode (the "Oh boy..." bit). This featured Scott Bakula, dressed in Magnum's classic red Aloha shirt, turning towards the camera and comically raising his eyebrows, just as Tom Selleck does at the end of the opening credits to Magnum, P.I.. Some consider that if this situation had Sam leaping into Magnum rather than Tom Selleck the actor, this would have created a continuity issue, since in an earlier episode a character (the daughter of Sam's current host, to be precise) is seen watching Magnum, P.I. on television. However, in the pilot episode of QL, Sam mentions that a relation of his had married Jim Bonick, who is a reoccurring character from Magnum, P.I..

[edit] The Battlestar Galactica connection

Much of Quantum Leap's premise comes from another television series Bellisario worked on, the 1978-79 sci-fi series Battlestar Galactica. In the episode "Experiment in Terra" Captain Apollo appears to the people of Terra in the identity of Terran astronaut "Col. Charlie Watts". To them, he looks and sounds just like Charlie even though we the audience see him in is true identity. It is similar to the way Sam looks like whomever he leaps into. He is also guided on his "mission" by John, an intangible person that only Apollo can see and hear. He tells Apollo who everyone sees him as, who the people around him are, and suggests to him what he must do - just as Al helps Sam. The episode was written by Glen A. Larson

[edit] Home video releases

Sam Beckett strolling forward: The front cover of the DVD of the first season of Quantum Leap.

In the 1990s, a few of the episodes were released on VHS. In the United States, these included "The Pilot Episode" ("Genesis"), "Camikazi Kid", "The Color of Truth", "What Price Gloria?", "Catch a Falling Star", "Jimmy", "The Leap Home", "Dreams", and "Shock Theater". In the United Kingdom, they were mostly released in pairs, selling as "The Pilot Episode" (on its own), "The Color of Truth" and "Camikazi Kid"; "The Americanization of Machiko" and "What Price Gloria?"; "Catch a Falling Star" and "Jimmy"; "The Leap Home" and "The Leap Home Part II - Vietnam"; and "Dreams" and "Shock Theater".

1998 brought the DVD release of "The Pilot Episode", containing only the episode "Genesis" and chapter selection.

In 2004, the first two seasons of the series were released on DVD. The Region 1 version of "Quantum Leap: The Complete First Season" came out in North America on 7 June 2004, containing all of the episodes as they originally aired (except for "Play It Again, Seymour"), along with some bonus features.

Universal was unable to obtain music rights for all of the music in Quantum Leap: The Complete Second Season, in the case of the Region 1 version. Some were replaced with generic instrumental music. This outraged many fans and inspired a letter-writing campaign, demanding such a modification be corrected. The most criticized instance was the removal of Ray Charles's "Georgia on My Mind" from the season two finalé, "M.I.A.", during a scene in which Al dances with his first wife Beth. Subsequent Region 1 DVD releases continued to feature music replacement, but Universal did begin including a disclaimer on the package indicating such.

Season 4 was released by Universal on Region 1 DVD on 28 March 2006 and on Region 2 DVD on 26 June 2006. However, the majority of the music from those episodes on both versions were changed or omitted.

The first four seasons have been released on DVD in the UK; Season 1 was released on the 8 November 2004 (music intact), Season 2 on the 31 October 2005 (music intact), Season 3 on the 12 December 2005 (music intact) and Season 4 on the 26 June 2006 (music partially intact).

The first three seasons are also available on DVD in Australia; Season 1 was released on the 2 May 2005 (music intact), Season 2 on the 7 February 2006 (music intact) and Season 3 will be released on the 7 June 2006.

Quantum Leap: The Complete Fifth season was released on DVD the 14 November 2006 in North America, with 'Blueprints from the original Time/Imaging chamber set' as the only extra. This release was not affected by music replacement.

[edit] Awards

  • Emmy Awards
    • 1989: Outstanding Achievement in Hairstyling for a Series (for "Double Identity")
    • 1990: Outstanding Cinematography for a Series ("Pool Hall Blues")
    • 1991: Outstanding Achievement in Makeup for a Series ("The Leap Home" (Part 1))
    • 1991: Outstanding Cinematography for a Series ("The Leap Home" (Part 2))
    • 1993: Outstanding Individual Achievement in Editing for a Series - Single Camera Production ("Lee Harvey Oswald")
  • Golden Globe Awards
    • 1990: Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for TV (Stockwell)
    • 1992: Best Performance by an Actor in a TV-Series - Drama (Bakula)
  • Directors Guild of America Awards
    • 1991: Outstanding Directorial Achievement in Dramatic Shows - Night (Michael Zinberg, for "Vietnam")
  • Edgar Awards
    • 1991: Best Episode in a TV Series Teleplay (Paul Brown, for "Goodnight, Dear Heart")

[edit] Trivia

  • Quantum Leap came close to being canceled in its third season due to low ratings. However, a letter writing campaign helped save the series, and it continued for another two seasons.
  • The Lee Harvey Oswald episodes were made not only as a ratings booster, but as a way to debunk many of the conspiracy theories that the movie JFK suggested regarding Oswald's involvement in the assassination of John F. Kennedy. As depicted in the episode, Donald Bellisario has claimed to have actually met Oswald while both were serving in the U.S. Marines.
  • A number of celebrities guest-starred on the series over the course of its run, including Debbie Allen, Bob Saget, Charles Rocket, Neil Patrick Harris, and others; Chubby Checker, Dr. Laura Schlessinger, and Dr. Ruth Westheimer appeared in episodes as themselves. Several future stars made guest appearances before they hit it big including Jennifer Aniston (Friends), Michael Beach (Third Watch), Terry Farrell (Star Trek: Deep Space Nine, Becker), Robert Duncan McNeill (Star Trek: Voyager), Joseph Gordon-Levitt (3rd Rock from the Sun), Carla Gugino (Spy Kids), Teri Hatcher (Lois & Clark, Desperate Housewives), Marcia Cross (Desperate Housewives, Melrose Place), Eriq La Salle (ER), Patricia Richardson (Home Improvement), Patrick Warburton (Seinfeld, Family Guy), Claudia Christian (Babylon 5) and Amy Yasbeck (Wings) among others.
  • Sam once leapt into a chimpanzee that was part of NASA's early space program.
  • Scott Bakula performed all of the songs required for the part during the show's five season run, contrary to the belief of many that it was a cover artist overlaying his mimes.
  • During the fifth (and final) season, a small article appeared in TV Guide discussing show creator and executive producer, Don Bellisario's plans to have Sam leap into a cartoon character in the sixth season, and the entire episode would have been animated. The cancellation of the show at the end of the fifth season prevented this.
  • In "Running For Honor" Sam leaps into a navy cadet suspected of being gay (and whose mission is to help an ex-cadet who is openly gay), marking one of the first times an American network television show dealt prominently with homosexuality, in addition to addressing the then hot-button issue of gays in the military. A number of sponsors pulled their advertising from the episode.
  • In one episode of JAG (also created by Donald Bellisario), two of the male leads are forced to share a hotel room with a single bed as all the other rooms have been taken by people attending a Quantum Leap convention. Bellisario also appears as himself in the episode.
  • Sam leaps into every year from 1953 through 1987 at least once, except for the years 1977, 1984 and 1986. He also leaps into the years 1945 and 1862.
  • Sam most frequently leaps into the year 1958, in eight different episodes.
  • Sam leaps into the exact date August 8, 1955 twice (in the episodes "The Color of Truth" and "Trilogy, Part I").
  • The episodes "Shock Theatre" and "Blood Moon" are the only episodes where the face of the person Sam leaps into is not shown. In the first one, when he looks into the mirror, he sees the faces of the person he believes himself to be at that moment. (Sam undergoes shock therapy in this leap, and it kicks out his own personality, allowing him to temporarily relive previous leaps.) In the second one, no reflection is shown at all when he looks into a reflective surface.
  • Fans do not mention the name of the episode in which Sam is confronted by the Devil because it's considered bad luck. The name of this episode was labeled 'The Halloween Episode'. It aired in October of 1990. It's believed that whenever this episode is aired or in the process of being taped VCRs malfunction. TV stations at the time reported outages whenever this episode is shown.
  • The series went through progressive budget cuts in the fourth and fifth seasons. For the fifth season, a memo went out to the show's writers, instructing them to write fewer locations into their episodes, to limit the number of sets built.
  • A male Marilyn Monroe impersonator attempted to audition for the fifth season episode "Goodbye Norma Jean".
  • In an early sequence in the fifth season episode "Goodbye Norma Jean", Marilyn Monroe is skinny-dipping in her private swimming pool. A special effects shot was filmed, but later deleted, showing Al "walking on water" above Marilyn, looking down upon her. This shot was deleted because the producers decided it slowed the entire sequence down.

[edit] Pop culture references

[edit] See also

[edit] Further reading

[edit] External links

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