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Son Jarocho

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Son Jarocho

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Stylistic origins: Son
Cultural origins: 18th century Veracruz
Typical instruments: Requinto, Jarana, Pandero, Harp
Mainstream popularity: Popularity of this Mexican genre has grown much.

<tr><th align="center" bgcolor="darksalmon" colspan=2 valign="top">Other topics</th></tr><tr><td align=center colspan="2" valign="top">Charro - Jarabe tapatío - Zapateado-Mariachi-Huapango-Son Huasteco</td></tr>

Son Jarocho is a traditional musical style of Veracruz, Mexico. It has been played historically from northern state of Tabasco state to central Veracruz including Veracruz port and its hinterlands. Its origins lie in a mixture of Spanish and African beats. Lyrics include humoristic verses and subjects as love, nature, sailors, cattle breeding that still reflect the life in colonial and 19th century Mexico. Verses are often shared with the wider Mexican and Hispanic Caribbean repertoire and even some can be found in works from writers of the Spanish siglo de oro. The instruments associated with the Son Jarocho are the jaranas (in various dimensions), requinto jarocho, harp and percussions as pandero, Cajón and quijada (an instrument made of a donkey or horse jawbone). Son Jarocho is often played only on jaranas and song in a style where several singers exchange improvised verses called decimas, often with humorous or offensive content. The most widely known son jarocho is La Bamba which has been popularized through the version by Ritchie Valens and the American movie of the same name.

More recently, instruments and rhythms from son jarocho have been used by rock groups as Café Tacuba and Ozomatli.


Related genres are: Son Huasteco, Huapango, Son jaliciense and Son

Well known artists playing the genre are: Mono Blanco, Siquisirí, Tlen Huicani, Chuchumbé, Los Cojolites, Son de Madera

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